La Dattilografa: Canzone a ballo

(Women; Typists) (Operetta) Rocchi-Burlamacchi, G. La Dattilografa: Canzone a ballo. Florence: Mignani, 1939 [XVII].

Sheet music, 27 x 18.2 cm, [4] pp.; pictorial color self-wrapper. Cover sl. toned, very good.

A bit of social satire from fascist Italy in this suggestive song (for dancing!) about typists and their machines.

Not found in OCLC.

$95

Skema. Mensile fotografico d’attualità. (All published).

Skema. Mensile fotografico d’attualità. Anno I, No. 1 (November 1969) through Anno VI, No. 12 (December 1974) (all published). Bologna: [ALFA Farmaceutici], 1969-1974.

Comprising a complete run of a rare Italian photographic serial with poster-sized color inserts designed and distributed in association with ALFA Farmaceutici. Monographic issues cover social, cultural, or political themes relevant to this tumultuous period in world history; each introduced by famous Italian public intellectuals, journalists, politicians, scientists, artists, and writers. Including Umberto Eco, Federico Fellini, Gianni Agnelli, and Gillo Dorfles.

Skema was a forum for unmediated photographic storytelling loosely modeled on the anti-realist movement Gruppo 63. In the first issue the editors state “ideas will be directly and freely provided by images: a medium that suffers from fewer alterations.” Echoing some of the experimentalist manifestos of Il Verri, Skema’s editors criticized the perceived transparency of language, freeing meaning to be made instead in the mind of the “viewer.” “Words will remain at the bottom,” with captions and textual interpretation only where world events “most deeply dug a furrow, or a wound, on the crust of common beliefs.”

The eye-catching covers, unusual photographic spreads, and striking color inserts were the responsibility of designer Marco Caroli. Together with editor Franco Vanni, they created a unique visual language juxtaposing international photojournalism, modern infographics, and quotable short form essays in a section called “di parere.”

Topical issues included protest movements, drugs, feminism, avantgarde theater, and Vietnam. But many were also dedicated to scientific and economic aspects of the difficult period that followed Italy’s “economic miracle”: hunger, prisons, agriculture, space, housing, the elderly, divorce, computers, mafia, circus, ecology, China, Latin America, propaganda, anthropology, and a few on single artists or philosophers: Irinia Ionesco, Ghitta Carell, Pablo Picasso, Diderot, and Galileo; among the photojournalism are press photos of installation art, Pop, and assemblage by artists including Wolf Vostell, Andy Warhol, and Ed Kienholz.

The scarcity of complete runs and bibliographic study has led to confusion about Skema’s origins. It is not, as it is often described, a progressive publication with independent social criticism. Instead, it is a deft work of appropriation: produced by Alfa as a promotional tool for its medical and biotech clientele. Skema’s inventive design and forward-looking reporting were a creative and subtle advertisement that was discontinued when production became too expensive. We speculate that Skema was the brainchild of Alfa’s founder, Marino Golinelli, listed in early issues as a member of the editorial board. Later Golinelli became an important collector of contemporary art and a celebrated philanthropist supporting projects in education, arts, and the sciences.

These experimental artistic attitudes were brought to bear on the cataclysmic socio-economic changes affecting lived realities in Italy and abroad. In the case of Skema, they reflect an increased demand for cultural consumption from a new Italian middle class, and the growing sophistication of bourgeois taste.

Scarce. OCLC finds one complete run at the University of Rome. A few scattered issues recorded in British, European, and North American holdings (UCSD and UCLA).

$4500

62 numbers in 58 fascicules, plus two supplements (to Anno III, no. 2 and Anno V, no. 10), Issues range from 60-74 pp., early issues almost exclusively illustrated, reproducing b/w photographs from Italian and international press agencies, including ANSA, Farabola, Publifoto, Keystone, Liverani, Lehtikuva, UPI, and AP among many. Later issues with up to 20 pp. of text on orange newsprint. About 30 issues with color inserts or advertisements offered as a “manifesto” or “regalo una stampa a colori,” some in poster format (unfolded: 22 ½ x 15 ¾ in.), others small bound-in half-page pamphlets, or full-page vintage Fiat ads. Some toning as expected, illustrated wrappers somewhat rubbed, scattered creasing and rounding at corners. Many stamped internally “Omaggi ALFA Farmaceutici [...]” Small loss to front wrap of Anno. I, No. 1. Lacking five inserts or advertisements as follows: Anno II, Nos. 4 and 13; Anno III, No. 7; Anno IV, No. 3; and Anno V, no. 12.

La Lotta Contro La Prostitutzione

Pannain, Remo. La Lotta Contro La Prostitutzione. Benevenuto: Borelli, n.d., ca. 1929. 8vo, 28 pp.; a few pencil marks in margin; in printed stapled wrapper.

Unusual legal treatise published in Southern Italy about the struggle there against prostitution.

No North American holdings recorded in OCLC.

$95

Five Illustrated Booklets Documenting the Fall and Death of Benito Mussolini and Clara Petacci

Five Illustrated Booklets Documenting the Fall of Benito Mussolini and Clara Petacci.

-Fugalli, Giovanni. The insurrection of Milan from 25 to 29 April 1945. Documentary. 16 photographic illustrations. [Milan, Italy]: Np, [1945]. 8vo, 16 pp.; forecorner bent. No North American holdings, OCLC. -The End of the Tyrants in Piazza Loreto. [Genoa, Italy]: Np, [1945]. 8vo, 14 pp.; illustrated wraps separated, loss at head, fair. not found in OCLC.

- Dongo! For the first time in the world; an impressive photographic documentation on the end of Mussolini and the hierarchs in Dongo. [Milan, Italy]: [New editions A.], [1951]. 8vo, 32 pp.; profuse b / w illus., reproducing photographs of the assassination, etc. Color illus. stapled wrappers, worn, splitting at spine, fair. Two copies.

- “The Retreat of Death”: Claretta Petacci. [Bologna, Italy]: Np, [1945]. 8vo, [15] pp.; toned, chipped edges, in illus. wrapper, soiled. This impression not in OCLC, a similar booklet, printed in Rome, held by Duke. OCLC finds one North American holding, NYPL.

-Murra, G., and C. Persia. The truth about the twelve days of Mussolina in Ponza. Bologna, Italy: Np, nd, ca. 1945. 8vo, 16 pp.; good, closed tear wrapper front fore-edge. 2 OCLC holdings: Duke, NYPL.

$150

Attenzione! Si avvicinano i “liberatori” anglo-assassini…

(Propaganda - Fascist) Attenzione! Si avvicinano i “liberatori” anglo-assassini… [Milan?], nd., ca. 1943. Poster printed in black and red, approx. 22-¾ x 19-¼ in.; toned, creases from vertical and horizontal folds, splitting at center; edges a bit worn, some foxing verso.

Poster warning inhabitants in German-controlled northern Italy of the dangers of the advancing Allied forces. “Reds,” “Jews,” and “hyenas of the air,” are coming for Italian women and children, converting them to their side with sweets and cigarettes.

OCLC locates one holding, at the Hoover.

$225

Elezioni Politiche 1913. Noi Anarchici.

(Anarchism) Elezioni Politiche 1913. Noi Anarchici … Broadside, 13 x 18-½ in.; creased, bottom edge roughly trimmed, typographic irregularities. Np, nd [1912-1913].

Anarchist broadside protesting the quasi-universal male suffrage granted to Italian men over 30 by the “moderately progressive” government of Giovanni Giolitti in 1912. The enfranchisement extended the vote to the very poor and illiterate, with the dramatic impact of trebling the electorate (from 3 to almost 9 million voters) in advance of the 1913 elections. The far left parties (Estrema) did not support the franchise; here anarchists protest it as a bourgeois “swindle,” keeping intact economic tyranny and solidifying the power of the political elite.

Italian anarchists were influenced by Mikhail Bakunin, who wrote “the whole system of representative government is an immense fraud resting on this fiction [of political liberty in the popular vote] ... Political power means domination.” (In fact, the “democratized” 1913 elections resulted in no representative gains by the revolutionary or working class parties of Estrema.)

$175

Collection of Documents Regarding Post-Liberation Italian Governance and Elections

[Partito Liberale Italiano; Democrazia Cristiana; et al.]. Collection of Italian Political Pamphlets, Leaflets, and Documents Regarding Post-Liberation Governance, Elections, and the First Italian Republic, ca. 1945-1946.

Comprised of: three mimeographed documents issued in December 1945 in reference to a proclamation by Prime Minister Alcide de Gasperi shortly after his election, one the proclamation, and two from members of the Allied Commission; three Democrazia Cristiana leaflets, ca. 1945, one printed the day of Mussolini’s death; eight issues (with five duplicates) of the Quadrini del Partito Liberale, by Luigi Einaudi, Paolo Serini, Benedetto Croce, and Marcello Soleri, and others, some reissued by the PLI Sezione Piemontese, with two PLI leaflets, one printing the lyrics to the patriotic anthem “Arise Piedmonte.” Turin. Most 1945, a few 1943-1948.

Quadrini del Partito Liberale not found in OCLC.

$350

Grand Torneo Internazionale di Lotte Feminili al Salone Margherita

(Women) (Sport) Grand Torneo Internazionale di Lotte Feminili al Salone Margherita. Rome, 1912. Concertina booklet, closed: 5-½ x 3-⅜ in., illus. with ten portraits of the fighters, from England, Europe, Russia, and the US; some usual wear, esp. at folds.

Promotional booklet for a women’s wrestling tournament held an evening variety show at a well-known Roman theater. Photographs of each contestant are reproduced with captions identifying their last name, nationality, and weight. The earnest, athletic presentation of the “national champions” in this booklet was unusual for a sport regarded largely as entertainment. This style of presentation may have been related to contemporary interest in the international competition of the V Summer Olympiad, which opened the same month

We could not locate any other record of the tournament or the participants. Women’s wrestling was not included as an Olympic sport until 2004.

$900

Rosalba Carriera per l’inaugurazione delle sale degli autoritratti nella R. Galleria degli Uffizi

Malamani, Vittorio. Rosalba Carriera per l’inaugurazione delle sale degli autoritratti nella R. Galleria degli Uffizi. Rome: Ministero dell’Istruzione Pubblica, 1899. First separate edition. Large 4to, 125 pp.; with illus. facsimile reproductions of Carriera’s letters and 9 plates, most reproducing engravings made after her paintings and pastels, some in color, bound together at rear, contents very good with occasional small marks, pages untrimmed; orig. paper wrpprs. present but separated with significant chipping at edges of both covers, spine lacking. Manuscript presentation inscription on half-title from the author to Riccardo Artoni(?). Together with 3 b/w prints of Carriera’s L’Innocenza (1705; a.k.a. La Giovinetta della Colomba) by Ed. Alinari. Carriera submitted L’Innocenza to the Accademia di San Luca and on the basis of its quality was the first woman admitted to Rome’s all-male academy.

This extract is seemingly the first major monographic work devoted to Rosalba Carriera (1675-1757), and the missing “first edition” to Vittorio Malamani’s later Carriera catalogue (Bergamo: Istituto Italiano d’Arti Grafiche Editore, 1910). Originally published in Le Gallerie nazionali italiane: notizie e documenti 4 (1896-1897), pp. 27-149, it is the first application of modern art historical methods to Carriera’s artwork and career.

On the occasion of the opening of the Uffizi’s new self-portrait gallery, Malamani set out to correct a problem that Carriera’s biographers still encounter: little is known of her early training and her established biography is dependent on both short sentimental elegies published decades after her death and transcriptions of her journals and letters heavily edited by friends, family, and prejudiced translators.

Rare. The 1899 first edition listed by OCLC at only two European institutions, all other holdings are the second edition.

$550

Album of late 19th Century Albumen or Gelatin-Silver Prints of Gubbio and Perugia

Album of late 19th Century Albumen or Gelatin-Silver Prints of Gubbio and Perugia. [Italy, ca. 1880].

Oblong 4to (8 3/8 x 12 in.) containing [12] heavy card leaves with 22 mounted prints: 13 of which approx. 7 x 9 in. and larger, the rest approx. 6 1/2 x 4 1/2 in.; professional views of artistic or architectural monuments (10), some signed in negative by [Fratelli] Alinari and [James] Anderson, together with amateur views (12); leaves sl. warped through center, a few prints a bit toned or faded but retaining contrast and detail, cloth with gilt title “Roma,” boards worn and corners bumped, printed binder’s ticket: “Encuadernacion, R. Dietsch, Moneda 877.”

Curious photo album, titled “Roma” and bound in Santiago de Chile, but containing images almost entirely from Perugia (with the exception of a view of the Pantheon and a composite image of classical sculpture). The binder, Ricardo Dietsch, was known as “La Alemena,” and was active in Santiago de Chile from at least 1894 until the mid-1920s.

The amateur photography is particularly striking, with many of the major sites of Gubbio, Italy visible in unexpected street scenes. These include city residents participating in the spring folk festival Corsa [or Festa] de Ceri, in which teams race through the city carrying heavy wooden statues of local patron saints. Still others depict busy street scenes; an arresting image of women kneeling in the snow; and soldiers and peasants as they lounge on the walls of the city’s famous Roman theater or walk past its Romanesque palazzos and churches.

$275