Atlas de las Nubes para el Servicio meteorológico de la República Mexicana

Pastrana, Manuel E. Atlas de las Nubes para el Servicio meteorológico de la República Mexicana formado por Manuel E. Pastrana i del Observatorio Meteorológico Central de México [...]. Boston, MA: Heliotype Co., 1906. Oblong 4to, [9] leaves, 61, [4] pls.; introduction by Pastrana followed by plates, nos. 1-20, 22, 29, 31-34, 41-58, and 60 in color, very good; stamped publisher’s cloth with marbled endpapers; boards rubbed, corners bumped. Numbered 135 in ink on title, from stated edition of 1000.

The first cloud atlas produced for use by the Mexican meteorological service; most images reproduced from photographs taken at La Escuela Industrial Militar Porfirio Diaz in Morelia, Mexico. At the time of printing, the national meteorological service was comprised of 49 observatories, including one in each state. Each reported by telegraph to the central observatory in Tacubaya. The atlas’s classification and captions follow the recommendations of the 1891 International Meteorological Conference, Munich, and the first International Cloud Atlas (Hildebrandsson, Riggenbach, and Teisserenc de Bort, 1896).

Four US holdings listed in OCLC: UT, UNM, SDSU, and Stanford.

$1500

El Ĉina fotografia arto: kompilita de la redakcio de “Ĉina Fotografio.”

(Photography) (China) (Esperanto) El Ĉina fotografia arto: kompilita de la redakcio de “Ĉina Fotografio.” [Beijing], China: Ĉina Esperanto-Ligo, 1963. Square 8vo, 112 pp.; chiefly illus., a few in color, lightly toned with a few small internal marks; publisher’s boards in pictorial dust jacket, corners bumped, dust jacket worn with significant losses.

Anthology of Chinese photography, published by the Chinese Esperanto Association of Peking (Beijing). The Esperanto introduction describes the national character of the emerging Chinese photographic style, one in which art is always in service to the workers, and the communist cause. Photography may also be a “weapon against imperialism.” Full-page reproductions with captions in Esperanto, photographers identified. Various genres represented, including landscape.

Single North American holding in OCLC: UCSD.

$30

Five Illustrated Booklets Documenting the Fall and Death of Benito Mussolini and Clara Petacci

Five Illustrated Booklets Documenting the Fall of Benito Mussolini and Clara Petacci.

-Fugalli, Giovanni. The insurrection of Milan from 25 to 29 April 1945. Documentary. 16 photographic illustrations. [Milan, Italy]: Np, [1945]. 8vo, 16 pp.; forecorner bent. No North American holdings, OCLC. -The End of the Tyrants in Piazza Loreto. [Genoa, Italy]: Np, [1945]. 8vo, 14 pp.; illustrated wraps separated, loss at head, fair. not found in OCLC.

- Dongo! For the first time in the world; an impressive photographic documentation on the end of Mussolini and the hierarchs in Dongo. [Milan, Italy]: [New editions A.], [1951]. 8vo, 32 pp.; profuse b / w illus., reproducing photographs of the assassination, etc. Color illus. stapled wrappers, worn, splitting at spine, fair. Two copies.

- “The Retreat of Death”: Claretta Petacci. [Bologna, Italy]: Np, [1945]. 8vo, [15] pp.; toned, chipped edges, in illus. wrapper, soiled. This impression not in OCLC, a similar booklet, printed in Rome, held by Duke. OCLC finds one North American holding, NYPL.

-Murra, G., and C. Persia. The truth about the twelve days of Mussolina in Ponza. Bologna, Italy: Np, nd, ca. 1945. 8vo, 16 pp.; good, closed tear wrapper front fore-edge. 2 OCLC holdings: Duke, NYPL.

$150

30 Years of Amalgamated Cooperative Housing, 1927-1957

(Cooperative Housing) (Amalgamated Clothing Workers of America, AFL-CIO) Amalgamated Housing Corporation. 30 Years of Amalgamated Cooperative Housing, 1927-1957 [title from cover]. [New York]: [Amalgamated Housing Corporation], [1958]. 4to, [30] pp.; profusely illustrated, reproducing b/w photos and color charts; in stapled pictorial wraps, lightly worn, VG.

Sponsored in 1927 by the Amalgamated Clothing Workers Union, the Amalgamated Housing Corporation was the first limited equity housing cooperative in the United States. From its first site in the Bronx it eventually grew to encompass additional communities in Manhattan, including Amalgamated Dwellings and Hillman Houses on the Lower East Side.

The narration of Amalgamated’s success is accompanied by photos, maps, floor plans, and infographics that exemplify mid-century graphic design. Introductions by Jacob Potofsky and Abraham Kazan.

$150

Rosalba Carriera per l’inaugurazione delle sale degli autoritratti nella R. Galleria degli Uffizi

Malamani, Vittorio. Rosalba Carriera per l’inaugurazione delle sale degli autoritratti nella R. Galleria degli Uffizi. Rome: Ministero dell’Istruzione Pubblica, 1899. First separate edition. Large 4to, 125 pp.; with illus. facsimile reproductions of Carriera’s letters and 9 plates, most reproducing engravings made after her paintings and pastels, some in color, bound together at rear, contents very good with occasional small marks, pages untrimmed; orig. paper wrpprs. present but separated with significant chipping at edges of both covers, spine lacking. Manuscript presentation inscription on half-title from the author to Riccardo Artoni(?). Together with 3 b/w prints of Carriera’s L’Innocenza (1705; a.k.a. La Giovinetta della Colomba) by Ed. Alinari. Carriera submitted L’Innocenza to the Accademia di San Luca and on the basis of its quality was the first woman admitted to Rome’s all-male academy.

This extract is seemingly the first major monographic work devoted to Rosalba Carriera (1675-1757), and the missing “first edition” to Vittorio Malamani’s later Carriera catalogue (Bergamo: Istituto Italiano d’Arti Grafiche Editore, 1910). Originally published in Le Gallerie nazionali italiane: notizie e documenti 4 (1896-1897), pp. 27-149, it is the first application of modern art historical methods to Carriera’s artwork and career.

On the occasion of the opening of the Uffizi’s new self-portrait gallery, Malamani set out to correct a problem that Carriera’s biographers still encounter: little is known of her early training and her established biography is dependent on both short sentimental elegies published decades after her death and transcriptions of her journals and letters heavily edited by friends, family, and prejudiced translators.

Rare. The 1899 first edition listed by OCLC at only two European institutions, all other holdings are the second edition.

$550

Kissing: the art of osculation, curiously, historically, humorously, and poetically considered

Manson, George. Kissing: the art of osculation, curiously, historically, humorously, and poetically considered. Brooklyn, NY: Union Book, 1888. 5-½ x 4-⅛ in., 103 pp.; small loss to forecorner on title page, stapled with orig. illus. wrapper present but with loss at spine, front cover separated, later tipped in to title-page, good.

Charming book on the history of kissing with hundreds of anecdotes including “how to kiss and how to receive a kiss,” “when you may kiss with impunity,” “men kissing each other [...],” “humorous stories of kissing in tunnels,” “kissing customs of different countries,” and “the kiss of death.” Makes “a nice little present for a lady.”

The illustrated wrapper by A.T. Lumley, with its uncommon depiction of two men kissing is not mentioned in 2 of the 3 existing OCLC records (Library of Congress, USC), and is not present in the final (UFL) copy.

$325

Techniques of Law Enforcement Against Prostitution: A Manual [...]

(Antiprostitution) (Law Enforcement) United States. National Advisory Police Committee to the Federal Security Administrator. Techniques of Law Enforcement Against Prostitution: A Manual for the Guidance of Enforcement Officers in Proceeding Against Prostitutes and Procurers. Washington, DC: Government Printing Office, 1943. 6-3/16 x 4-5/16 in., 75 pp.; stapled brown wrapper, small mark on front wrap, else near fine.

A manual for “vigorous and intelligent police action,” “Not for general distribution,” sheds light on the criminalization of individual prostitutes in the 1940s. Gives tactical suggestions for arresting streetwalkers, sting operations on call girls and taverns, plainclothes assignments, and independent vice squads.

$60

La prostitution [...] et ses multiples aspects

(Prostitution) (Anarchism) Armand, E[mile]. La prostitution, son histoire, sa définition, les conditions de sa disparition et ses multiples aspects. Paris: L’en déhors, 1933. Deuxième tirage. 8vo, 24 pp.; uncut, stapled pictorial wrapper, edges toned and sl. worn.

A pamphlet in support of prostitution and a radical new sexual ethic, including free love and camaraderie amoureuse by individual anarchist Émile Armand. Advertisements on rear wrap and front wrap verso for additional anarchist publications on sexuality and libertinage.

We suspect that this is the first and only edition given that all recorded copies have the same stated “deuxième tirage.”

$150

Le Véritable Guide des Jeunes Amoureux: Nouveaux Recueil des Lettres

(Etiquette) (Love Letters) Le Véritable Guide des Jeunes Amoureux: Nouveaux Recueil des Lettres. Montréal: Librairie Beauchemin Limitée, n.d. (ca. 1902-1908). 5-¾ x 3-⅞ in., 83 pp.; stapled pictorial blue wrapper, chipped at spine, separated at front.

Enchanting guide to romantic letter writing for young men and women. Includes extensive templates for all the awkward circumstances of love from initial introductions to marriage proposals but also multiple examples for rebuffing inappropriate advances, confirming shared affections, requesting a portrait, flirtations, breakups, reconciliations, complaints about absences, favorable and negative responses to marriage proposals, etc.

The publisher Beauchemin was incorporated under the name “Beauchemin Limitée” in 1902, it moved from the title page’s listed premises in 1908. OCLC locates four examples in Canadian institutional holdings, none in the US; some may represent a much later printing (1950s).

$95

Cultura Física y Sexual. All Published

Martin de Lucenay, Ángel. Cultura Física y Sexual. Vol. 1, Tomo 1 (Dec. 1935) through Vol. 3, Tomo 3 (June 1936) [all published]. Barcelona: Editorial Cisne, 1935-1936.

Small 4to, 13 issues bound in three vols., orig. wrappers bound-in, each 72-160 pp., Vols. 1 and 2 each comprised of five issues, Vol. 3 of three issues, subtitles vary; illus. b/w pls, approx. 4-8 per issue, most credited to the Foto Mayo studio; tan calf with printed labels to spine, rubbed and bumped, labels abraded with losses, interior very good.

A complete run of the Guerra Civil-era pulp sexuality series by author and sexologist Dr. Ángel Martin de Lucenay. Two years earlier Lucenay developed a progressive sexual education series with another popular Republican press, Editoral Fénix. In this new version, for Cisne, Lucenay largely abandoned the political aspects of his project in favor of a titillating, sometimes racist narrative about human sexuality. Pseudo-scientific topics provide the opportunity for nude and medical photography, including sports and sexual health, normal and abnormal physiology, race and sexuality, euphoric drugs, sex and gymnastics, etc. Many political references remain; the Soviet sex education curriculum and sports system are offered as ideal education programs.

Most of the nude photography is credited to Foto Mayo, a family studio well-known before the Guerra Civil for its anarchist and communist sympathies. Their photojournalism of the Guerra Civil made them famous and at the end of the war the three brothers were forced to flee to Mexico, where their studio, renamed Hermanos Mayo, continued to cover political violence, including the Tlatelolco massacre in 1968.

Rare Republican sexuality series, OCLC lists only one complete run in institutional holdings worldwide, none in North America.

$750

Sous la jupe: illustré

Maindouce, G. Sous la jupe: illustré. Paris: Les Éditions du Couvre-Feu, n.d. [ca. 1933-1935]. 8vo, 115 pp.; erotic fiction illustrated with 28 b/w pls., most printed recto, some also verso; in orig. wrapper with color d.j., d.j. beginning to split at spine, edges worn, else very good. D.j. with misprint “Nombreuses illustrations sujestives” [sic] described by Pia.

Éditions Couvre-Feu was one of a number of imprints founded by Léon [a.k.a. Victor?] Vidal under the larger umbrella of his erotic publishing and fashion group, Société des Éditions Gauloises. Couvre-Feu specialized in pseudonymous fetish, sadomasochist, and bondage literature; illustrated with fetish photography by Studio Biederer and from the archives of Vidal’s other business, the lingerie company Diana-Slip, whose catalogue included anonymous fetish images by Brassaï, Kertesz, and Roger Schall.

Several editions bearing the title “Sous la jupe” were issued by Couvre-Feu between 1933-1935. They differ considerably from this rather avant-garde example and priority has not been convincingly established: one was unillustrated, another included extracts of several erotic stories with only scattered illustrations, a third was a promotional list of erotic publications, and an English variation was issued by Éditions Richepanse in 1935. Nevertheless, it is possible to match some of the “detourned” images in this artistic edition to others by the Studio Biederer and from the Diana-Slip catalogues.

Though recorded in Pia, P., Livres de l’Enfer, this version and d.j. seemingly uncommon, OCLC locates no holdings of this edition in North America.

$450

Cine Cubano. Año 1, No. 3 and Año 2, No. 6.

Guevara, Alfredo, Ed. Cine Cubano. Año 1, No. 3 (Nov. 1960) and Año 2, No. 6 (February 1962). La Habana: n.p., 1962. 2 issues, each: 4to, 82 pp.; profusely illustrated review of Cuban and international cinema; some edgewear, creases, or nicks; former with ex-libris stamp on p. 3, latter with loss to top corner of front wrap.

Early issues of the classic revolutionary film journal.

$75

Cartilla Maya-Español para los monolingües Mayas de Yucatan, Campeche y Quintana Roo

[Beloff, Angelina. (Illustrator)]. Instituto de Alfabetización en Lenguas Indígenas, México. Cartilla Maya-Español para los monolingües Mayas de Yucatan, Campeche y Quintana Roo. México, D.F.: [Secretaría de Educación Pública], 1946. Small 4to, 102 pp.; illus. reader, unmarked, newsprint pages toned, fragile, and chipped, a few leaves unopened; in color pictorial wraps, with closed tears and losses, fair.

A Maya-Spanish children’s primer, part of the Secretary of Education’s campaign against illiteracy, particularly among indigenous, monolingual populations. These federal initiatives had mixed results and were largely unsuccessful at achieving larger social improvements in rural communities.

This edition illustrated by artists Angelina Beloff and Gabriel Fernández Ledesma, both associated with the muralist movement (Beloff through her marriage to Diego Rivera).

$150

Cuauhtemoc

[Valcárcel, Gustavo and Adolfo Mexiac (Illustrator)]. Cuauhtemoc. Serie Biografia, No. 1. México, D.F.: Instituto Nacional Indigenista, 1956. Small 8vo, 48 pp.; illus. throughout from linocuts and drawings by Mexiac, lightly toned; orig. stapled pictorial wrapper, sl. worn.

A condensed biography of the last Aztec Emperor with bold illustrations by Adolfo Mexiac. From an intended series of indigenous biographies of which only 2 vols. were seemingly published.

OCLC identifies only two copies in US libraries.

$150

¡Vean estos films!

Sovexportfilm. ¡Vean estos films! [cover title]. Moscow: Sovexportfilm (Asociacion URSS para la Exportatcion y La Importacion de Peliculas), ca. 1962. Oblong 4to, [26] leaves; profusely illus., [20] pp. with full-page color illus. advertising Soviet films, further [12] pp. with pockets for loose portrait photos of actors, two per page, approx. half present, heavy wear to edges.; in orig. comb binding, entirety worn with some dampstain at front.

One of many iterations promoting Soviet films to international theaters and audiences, this one a deluxe Spanish version, distributed in Mexico. Advertising a number of famous Soviet movies and stars from 1958-1961.

Not located under this title (or approximate translations) in OCLC.

$125

Mexico

Comité Organizador de la Participación en la Exposición Ibero-Americana de Sevilla, Luis Alberto de Herrera, and Francisco A. Sáenz. Mexico. [Mexico]: Talleres gráficos de la nación, 1929. Oblong 4to, 591 pp.; full-page b/w pls. throughout, paper toned, pls. very good; 3/4 green cloth, corners bumped, paper labels stained.

Large format, encyclopedic album commissioned by the government’s department of propaganda to present the modern political and social structures, and economic successes of post-revolutionary Mexico to an international audience. Lavishly illustrated with tipped-in plates reproducing photographs of government buildings, schools, public transportation, industrial and commercial sites, and public works. Most plates with decorative borders inspired by Aztec designs. The album culminates with images and descriptions of the Mexican pavilion in Sevilla.

An important piece of propaganda describing the massive reforms of the post-revolutionary period, it was published under President Calles’ direction in the year that he founded the Partido Revolucionario Institucional (PRI), a time in which the “social revolution” was very much still at risk.

Example 440 of 3000.

$450

U/topistas: Estudio para proyectos contemporaneous

[Art – Puerto Rico] Universidad Sagrado Corazón, Galería de Arte and Michelle Marxuach Galería. U/topistas: Estudio para proyectos contemporaneous. San Juan, Puerto Rico: Michelle Marxuach Galeria; M&M Art Projects, [2000]. 8vo, [78] pp.; color illus., wrappers sl. loosened with small markings on front cover.

Catalog documenting projects by 37 Puerto Rican artists for an exhibit that took place at the Galeria de Arte de Universidad Sagrado Corazon in conjunction with the PUERTO RICO ‘00 (PARENTESIS EN LA CIUDAD) exhibition. Includes early work by Puerto Rican artists Allora & Calzadilla, Ernesto Pujol, Pedro Velez, and others. OCLC locates a single holding (Getty).

$95

A ruptura da fotografia nos anos 50

Oiticica, José Filho. A ruptura da fotografia nos anos 50. Catalogue of an exhibition held at Galeria de Fotografia da Funarte, Rio de Janeiro, January 14 - February 25, 1983. Rio de Janeiro: Edição Funarte, 1983. 4to, 97 pp.; intro by Hélio Oiticica, illus. with 50+ full-page b/w reproductions of photographs; in paper wraps, scuffed, especially spine, else very good.

Uncommon Brazilian photo exhibition catalogue. José (1906-1964) was an entomologist, mathematician, and a photographer who experimented with microphotography, abstraction, and constructivism. He was also the father of renowned artist Hélio Oiticica. Hélio’s introduction in the catalogue was written c. 1967.

$150

Crónicas, documentos, y otros papeles.

(Art—Medicine) ​Slullitel, Isidoro. Crónicas, documentos, y otros papeles. [Rosario, Argentina]: Self-published, 1971. 8vo, 473 pp.; frontispiece b/w reproduction of a woodcut by Juan Grela; paper toned; pink card wraps, worn and splitting, top edge foxed. Gift inscription on half-title from author to the artist Gyula Kosice.

Slullitel was an orthopedist and art collector whose patronage in Rosario extended to both the visual arts and a literary salon. An uncommon volume of his thoughts about the relationship between medicine, art, and culture, with an important association.

Unrecorded in OCLC.

$175

Sol Lewitt

LeWitt, Sol. Sol Lewitt. Catalogue of an exhibition held at the Haags Gemeentemuseum 25 July – 30 August, 1970. The Hague: Haags Gemeentemuseum, 1970. Oblong 4to, 64 pp.; b/w illus. throughout; in orig. wraps, rubbed and worn at extremities, bumped corners sl. affecting interior leaves; ex-library with ownership sticker on front cover.

$50

Rauschenberg: Selections

Rauschenberg, Robert. Rauschenberg: Selections. Catalogue of an exhibition held at the Fort Worth Art Center Museum, January 5 – February 2, 1969. Fort Worth, TX: Fort Worth Art Center Museum, [1968]. 4to, [46] leaves, incl. intro, descriptive and critical “collage,” [12] plates with b/w reproductions of artworks from the exhibition, exh. checklist, and bio; in orig. pictorial wraps, spine reinforced with tape, splitting at foot; ex-library with shelf mark sticker to front cover.

In a short intro, the museum’s director, Henry T. Hopkins, writes that he wanted to bring a substantial exhibition of the artist’s work to the state where he was born (and where it had rarely been seen). After meeting the artist to discuss the catalogue and face the “vexing problem of more words on art,” they decided to create a kind of collage of previously published writing. “Ideally the mild frustration produced by reading it will be a reminder of the interplay between art and life and as such, a reflection of Rauschenberg’s chosen realm.”

Rauschenberg put similar ideas to work in his well-known Abrams monograph, published the following year.

$759

¿Qué es la CNT? : La emancipación de los trabajadores será obra de ellos mismos o no será

Confederación Nacional del Trabajo, Federación Local de Malaga. ¿Qué es la CNT? : La emancipación de los trabajadores será obra de ellos mismos o no será. Malaga: Libreria Interna Confederal, Federación Local de Malaga, 1978. Oblong 8vo, 26 pp.; stapled pictorial wraps, sl. soiled and creased, ex-library with withdrawn stamp p. 5 not affecting text.

$25

Pedrito Contreras y Juan del Campo

Segui, Pedro. Illustrator. Pedrito Contreras y Juan del Campo. [Argentina]: N.p., [1950]. Oblong 8vo, [16] pp.; color illus. propaganda narrative with one page marked with English; stapled illus. wrapper, colors bright, lightly worn, very good.

Unusual Peronist propaganda illustrated by humorist Pedro Segui. Text defends Peronist nationalization policies from criticisms following rapid inflation and economic isolation.

OCLC lists two holdings: Brown and UMass-Amherst.

$60

Nosotros: [Revista Mensual Anarquista]

(Giménez Igualda, Miguel). Nosotros: [Revista Mensual Anarquista]. Nos. 1 [Oct. 1937] and 5 (Feb. 1938). Valencia: Editorial Guerri, 1937-38. Two issues, 4to, each 48 pp.; paper wrappers toned with spotting, no. 5 corner bent, affecting a few subsequent pages, minor interior foxing.

Two of five issues of the short-lived serial published by anarchist Miguel Giménez Igualda during a critical period in the Spanish Civil War. Most of its articles are attributed to one of Giménez’s pseudonyms or to French anarchists including Han Ryner; Giménez was also associated with the international Teatro del Pueblo movement (no. 1 reprints materials related to Isaac Steinberg, [Rodolfo González] Pacheco, and the Teatro del Pueblo in Barcelona). Other content focuses on anarchist philosophy; arts; and antifascism.

OCLC finds no physical holdings in North America.

$250

Sun Annual

(Nudism) Sun Annual. Nos. 1-3 (all published?). [Mays Landing, NJ]: Sunshine Publishing, [1959-1961]. Square 8vo, each 96 pp.; profusely illus. with b/w reproductions of nudist photography and a few color spreads, in stapled color pictorial wraps, covers lightly worn, else very good.

An annual roundup of international “social nudism” by the publishers of Sun Magazine. Photo essays and texts explore nudist vacations in the US and Europe, with topics relevant to foreign customs and campgrounds. A number of essays are of special interest: including the value of the Polaroid to the nudist community, a lengthy review of the “first” nudist movie, “Nature’s Paradise” (1959), and sociological commentary about the evolving nudist movements in Britain, Denmark, and France: “The Silent Revolution.”

OCLC locates two holdings, at least one complete: Indiana (Kinsey) and Rutgers.

$350

Instruction chrétienne pour l’éducation des filles

​(Maintenon, Francoise d’Aubigné, Marquise de.) D. R., Abbé. Instruction chrétienne pour l’éducation des filles, tirée des maximes de l’Evangile, des SS. Pères et des conciles. Dédié à Madame de Maintenon. Paris: Urbain Coustelier, 1687.

12mo, [26], 429, [6] pp.; engraved frontispiece, with engraved vignette and numerous head- and tail-pieces and initials; in contemporary calf, spine with raised bands, gilt stamped panels, worn and chipped at ends, corners, and front hinge, joints weakened but holding, interior good with scattered darkening, one brief, marginal worm hole, small repair to frontispiece. Contemporary ownership inscriptions(?) on front pastedown and ff, possibly 17th- or 18th-century; child-like ink lettering of Madame de Maintenon’s name, also possibly 17th- or 18th-cent, beneath frontispiece portrait.

Françoise d’Aubigné (1635-1719), Marquise de Maintenon, has been an object of popular fascination for three centuries. She was Louis XIV’s second wife and governess to his illegitimate children (later legitimized). The couple married secretly in late 1683 or early 1684, following the death of Queen Marie-Thérèse. Maintenon moved into the royal apartments at Versailles and lived there until Louis XIV’s death. Although her legacy is controversial, the Marquise was a skilled educator and used her position to found the first royal school for girls at Saint-Cyr. It opened in the newly built Maison Royal de Saint-Louis in 1686.

This treatise was dedicated to her just months later; a significant moment since it closely coincided with Louis XIV’s Edict of Fontainbleau, rescinding religious freedoms for the Protestant Huguenots, and for which the Marquise was publicly blamed (and mocked across Northern Europe). Her religious beliefs were a topic of scandalous speculation, since her father had been persecuted for Protestant heresies, but this book and her work at Saint-Cyr are evidence for her pragmatism. Her connection of the Christian education of girls to the king’s anti-Protestant campaign ensured the success of the school for a generation. The author’s arguments also reflect a shift in France away from secular girls schools toward religious education.

The present portrait of Maintenon presents another mystery, since there are no verified images of the Marquise as a young woman. It is likely that this is one of the earliest copies of a fictive engraving published by Pierre Giffart near the time of her marriage to the king. (See Henri Gelin, “Etude Iconographique of Madame Maintenon,” in Mémoires: Notes et Documents (Société historique et scientifique des Deux –Sèvres, 1907: 115-240.)

Institutionally scarce, OCLC locates two copies in North America: Northwestern and Toronto.

$950

Seven leaves of hand-painted wallpaper designs

(Decorative Art) (Spain) Seven leaves of hand-painted wallpaper designs. [Catalonia]: n.p., n.d. [late 18th century, ca. 1787].

Ink, gouache, and graphite on laid paper with Honig and Van der Ley watermarks, each leaf trimmed to approx. 10-1/2 x 8-1/2 in. or sl. larger; all signed or graded either recto or verso, most by the same hand in ink, two with additional graphite signatures; one with minor water stain at edge, otherwise very good.

The leaves appear to be prize-winning examples or tests submitted for competition, perhaps by students at a professional arts school in Catalonia. They are all attributed to or signed by one of five artists: Francisco Coromina, Joseph Coromina, Joseph Fontanelles, Gaspar Ribó, and Jayme Trens. The floral and pictorial designs are expertly executed with fine detail, suggesting professional craftsmanship. Beautiful and unique examples of the rich decorative arts tradition in Catalonia.

Dated examples by Fontanelles in another collection allow us to tentatively establish a date circa 1787.

$1750

Art: The Independent Review. No. 1 (Dec. 1987) and No. 2 (Mar. 1988)

[Art] [South Africa] Hitge, Margaret, Ed. Art: The Independent Review. No. 1 (Dec. 1987) and No. 2 (Mar. 1988). Broederstroom, South Africa: Bruce Attwood, 1987-1988.

Two issues, 8vo, 96 pp. and 92 pp.; profusely illus. with b/w and color reproductions; color illus. wrappers, No. 1 shaken, front wrapper rubbed, with creases and closed tears.

Nearly complete run (lacking final issue) of scarce arts serial by artists; straight talk with relatively informal reviews and discussion of political and artistic realities of South African art world in the late 1980s. Essays and advertisements express deep anti-apartheid views, but also reflect positions of privilege. Notable articles include “Across the Color Line,” by David Koloane and “Women Artists Need Wives,” by Judith Mason.

OCLC finds only 2 incomplete holdings in North America, one complete run in the world.

$150

Apóstrofes: Revista de la Escuela de Periodismo Universidad Católica. Año I, No. 1–No. 3

[Chile] [Student Movement] Apóstrofes: Revista de la Escuela de Periodismo Universidad Católica. Año I, No. 1 (May 1982)–No. 3 (Sept.-Oct. 1982) (all published?). Santiago, Chile: 1982. 8vo, three issues: 23 pp., [25] pp., [21] pp.; side-stapled mimeograph with illus. wrappers, b/w reproductions of orig. graphics, including cartoons, collage, and photography, light edge-wear and toning at extremities, No. 2 toned, front wrap with small crease.

When the left-wing Popular Unity party (led by Salvador Allende) came to power in 1970, they reached an agreement to undo previous limits on the freedom of the press in Chile. This brief period of pluralism was silenced by the Pinochet coup in 1973, which ushered in not only an era of censorship, persecution, and state-sponsored journalism, but also a period in which opposition journalists were imprisoned, tortured, and “disappeared.”

It is within this context that students at the Journalism School at Santiago’s Catholic University began publishing this short-lived serial, questioning the role and relevance of the professional journalist in Chile. Beginning as a general inquiry into the conditions of journalism and teaching, the tone shifts, rejecting university and national hierarchies and censorship. No. 3’s headline “Renacer del Movimiento Estudiantil,” declares the rebirth of the student movement following the arrest and torture of Marcela Palma, secretary general of El Centro de Estudiantes de la Universidad Católica (and sister of the leftist paramilitary Ricardo Palma). Articles report on colleagues in exile and the duty of the journalist to justice and critical thinking.

No copies found in OCLC or direct searches of Chilean national online catalogues.

$275

Willem Sandberg. Three Stedelijk Museum Exhibition Catalogues, 1935-1941.

[Willem Sandberg]. Three Stedelijk Museum Exhibition Catalogues, 1935-1941.

1. Stedelijk Museum. Bouwkunst en verwante kunsten: tentoonstelling, georganiseerd door de Tentoonstellingsraad voor bouwkunst en verwante kunsten, ter gelegenheid van het 80-jarig jubileum van het genootschap Architectura et Amicitia, van 23 Nov. t/m. 15 Dec. 1935, in het Stedelijk Museum te Amsterdam. Amsterdam: Architectura et Amicitia, [1935].

First edition. 8vo, 63, [5] pp.; exhibition catalog of Dutch architecture and applied arts with graphics and typography by Willem Sandberg, illustrated throughout, with orig. illus. color wrpps., a bit rubbed with small closed split at front hinge.

Includes an introduction by architect M.J. Granpré Molière and checklist of the exhibition. A very rare catalogue with an exemplary abstract cover design by the legendary graphic designer, curator, director of the Stedelijk, and member of the Dutch Resistance, Willem Sandberg. OCLC locates only 2 holdings in North America, one in the US.

2. Stedelijk Museum and C.W.H. Baard. 40 jaar Stedelijk Museum te Amsterdam: Tentoonstelling van Hedendaagsche, Monumentale Kunst, 14 September – 13 October 1935. [Amsterdam]: [Stedelijk Museum], [1935].

First edition. 8vo, 51 pp.; exhibition catalogue with forward by Stedelijk director C.W.H. Baard and 24 b/w pls. reproducing works from the checklist, color wrpps. designed by Willem Sandberg, sl. darkened, small numbered tag on spine.

“Ontwerp Sandberg” printed in lowercase on rear wrapper. OCLC finds 7 copies in North America, only 2 outside museum libraries (Harvard and Toronto).

3. Stedelijk Museum and J Q van Regteren Altena, et al. In Holland staat een huis: het interieur van 1800 tot heden : tentoonstelling in het Stedelijk Museum Amsterdam, Juli-October 1941. Amsterdam: Satdsdrukkerij, [1941].

First edition. Oblong 8vo, 64 pp.; exhibition catalogue with short introduction the history of Dutch interior design followed by room-by-room descriptions with photographic illus. (arranged chronologically by alphabet from 1800-1940), in color wrpps. with folding floor-plan of exhibition in rear wrapper, typography and design by Willem Sandberg, some edge-wear. OCLC records 8 North American institutional holdings.

$175

Çayir Yapraklari (Leaves of Grass)

​Whitman, Walt. Trans. Suat Tașer. Çayir Yapraklari [Leaves of Grass]. Ankara: Buket Basimevi, 1961. Oblong 12mo unfolds to 6 x 23 cm; 19 pp. excerpted translations from Whitman’s Leaves of Grass, incl. 5 pp. intro. (in translation) by prominent American editor and socialist Max Eastman; color illus. wrpps. sl. soiled with small stain rear cover, pages separated from internal staple (wrappers still glued). The translator was an important Turkish poet and political activist.

Scarce, OCLC finds only 3 copies in North America.

$325

Sala Permanente de Artes Plásticas de Cuba

Habana: Instituto Nacional de Cultura, n.d. (ca. 1955). 4to, 16 pp.; chiefly illustrations, with text describing the national collection of modern Cuban art and its installation in the brand new Palace of Fine Arts, designed by architect Alfonso Rodríguez Pichardo in color illus. wrpps., fair: rubbed with creases and warping, some small losses and a damp-stain affecting several pages (but not the images). Includes list of painters, sculptors, and printmakers whose work was publicly exhibited in this first iteration of the museum.

Very scarce celebration of Cuban modern art museum. OCLC locates 3 copies in North America.

$325