Atlas de las Nubes para el Servicio meteorológico de la República Mexicana

Pastrana, Manuel E. Atlas de las Nubes para el Servicio meteorológico de la República Mexicana formado por Manuel E. Pastrana i del Observatorio Meteorológico Central de México [...]. Boston, MA: Heliotype Co., 1906. Oblong 4to, [9] leaves, 61, [4] pls.; introduction by Pastrana followed by plates, nos. 1-20, 22, 29, 31-34, 41-58, and 60 in color, very good; stamped publisher’s cloth with marbled endpapers; boards rubbed, corners bumped. Numbered 135 in ink on title, from stated edition of 1000.

The first cloud atlas produced for use by the Mexican meteorological service; most images reproduced from photographs taken at La Escuela Industrial Militar Porfirio Diaz in Morelia, Mexico. At the time of printing, the national meteorological service was comprised of 49 observatories, including one in each state. Each reported by telegraph to the central observatory in Tacubaya. The atlas’s classification and captions follow the recommendations of the 1891 International Meteorological Conference, Munich, and the first International Cloud Atlas (Hildebrandsson, Riggenbach, and Teisserenc de Bort, 1896).

Four US holdings listed in OCLC: UT, UNM, SDSU, and Stanford.

$1500

El Ĉina fotografia arto: kompilita de la redakcio de “Ĉina Fotografio.”

(Photography) (China) (Esperanto) El Ĉina fotografia arto: kompilita de la redakcio de “Ĉina Fotografio.” [Beijing], China: Ĉina Esperanto-Ligo, 1963. Square 8vo, 112 pp.; chiefly illus., a few in color, lightly toned with a few small internal marks; publisher’s boards in pictorial dust jacket, corners bumped, dust jacket worn with significant losses.

Anthology of Chinese photography, published by the Chinese Esperanto Association of Peking (Beijing). The Esperanto introduction describes the national character of the emerging Chinese photographic style, one in which art is always in service to the workers, and the communist cause. Photography may also be a “weapon against imperialism.” Full-page reproductions with captions in Esperanto, photographers identified. Various genres represented, including landscape.

Single North American holding in OCLC: UCSD.

$30

Five Illustrated Booklets Documenting the Fall and Death of Benito Mussolini and Clara Petacci

Five Illustrated Booklets Documenting the Fall of Benito Mussolini and Clara Petacci.

-Fugalli, Giovanni. The insurrection of Milan from 25 to 29 April 1945. Documentary. 16 photographic illustrations. [Milan, Italy]: Np, [1945]. 8vo, 16 pp.; forecorner bent. No North American holdings, OCLC. -The End of the Tyrants in Piazza Loreto. [Genoa, Italy]: Np, [1945]. 8vo, 14 pp.; illustrated wraps separated, loss at head, fair. not found in OCLC.

- Dongo! For the first time in the world; an impressive photographic documentation on the end of Mussolini and the hierarchs in Dongo. [Milan, Italy]: [New editions A.], [1951]. 8vo, 32 pp.; profuse b / w illus., reproducing photographs of the assassination, etc. Color illus. stapled wrappers, worn, splitting at spine, fair. Two copies.

- “The Retreat of Death”: Claretta Petacci. [Bologna, Italy]: Np, [1945]. 8vo, [15] pp.; toned, chipped edges, in illus. wrapper, soiled. This impression not in OCLC, a similar booklet, printed in Rome, held by Duke. OCLC finds one North American holding, NYPL.

-Murra, G., and C. Persia. The truth about the twelve days of Mussolina in Ponza. Bologna, Italy: Np, nd, ca. 1945. 8vo, 16 pp.; good, closed tear wrapper front fore-edge. 2 OCLC holdings: Duke, NYPL.

$150

Attenzione! Si avvicinano i “liberatori” anglo-assassini…

(Propaganda - Fascist) Attenzione! Si avvicinano i “liberatori” anglo-assassini… [Milan?], nd., ca. 1943. Poster printed in black and red, approx. 22-¾ x 19-¼ in.; toned, creases from vertical and horizontal folds, splitting at center; edges a bit worn, some foxing verso.

Poster warning inhabitants in German-controlled northern Italy of the dangers of the advancing Allied forces. “Reds,” “Jews,” and “hyenas of the air,” are coming for Italian women and children, converting them to their side with sweets and cigarettes.

OCLC locates one holding, at the Hoover.

$225

Elezioni Politiche 1913. Noi Anarchici.

(Anarchism) Elezioni Politiche 1913. Noi Anarchici … Broadside, 13 x 18-½ in.; creased, bottom edge roughly trimmed, typographic irregularities. Np, nd [1912-1913].

Anarchist broadside protesting the quasi-universal male suffrage granted to Italian men over 30 by the “moderately progressive” government of Giovanni Giolitti in 1912. The enfranchisement extended the vote to the very poor and illiterate, with the dramatic impact of trebling the electorate (from 3 to almost 9 million voters) in advance of the 1913 elections. The far left parties (Estrema) did not support the franchise; here anarchists protest it as a bourgeois “swindle,” keeping intact economic tyranny and solidifying the power of the political elite.

Italian anarchists were influenced by Mikhail Bakunin, who wrote “the whole system of representative government is an immense fraud resting on this fiction [of political liberty in the popular vote] ... Political power means domination.” (In fact, the “democratized” 1913 elections resulted in no representative gains by the revolutionary or working class parties of Estrema.)

$175

Collection of Documents Regarding Post-Liberation Italian Governance and Elections

[Partito Liberale Italiano; Democrazia Cristiana; et al.]. Collection of Italian Political Pamphlets, Leaflets, and Documents Regarding Post-Liberation Governance, Elections, and the First Italian Republic, ca. 1945-1946.

Comprised of: three mimeographed documents issued in December 1945 in reference to a proclamation by Prime Minister Alcide de Gasperi shortly after his election, one the proclamation, and two from members of the Allied Commission; three Democrazia Cristiana leaflets, ca. 1945, one printed the day of Mussolini’s death; eight issues (with five duplicates) of the Quadrini del Partito Liberale, by Luigi Einaudi, Paolo Serini, Benedetto Croce, and Marcello Soleri, and others, some reissued by the PLI Sezione Piemontese, with two PLI leaflets, one printing the lyrics to the patriotic anthem “Arise Piedmonte.” Turin. Most 1945, a few 1943-1948.

Quadrini del Partito Liberale not found in OCLC.

$350

Group of Italian Resistance Bulletins and Handbills

(Clandestine Press) (Brigate Garibaldi) Group of Italian Resistance Bulletins and Handbills, and a Photograph, ca. 1943-45. [Rome, Turin, et al.]. Totaling thirteen items: two small handbills, printed recto and verso, the first “Ordine del Giorno N. 8 del Comando del distaccamenti e delle Brigate d’Assalto Garibaldi,” and the second, “Bollettino No. 12 Guerra Partigiana,” attributed to Il Comando delle Brigate d’Assalto Garibaldi del Piemonte, both ca. 1944, and a press? photograph of a fascist torture cell. Handbills lightly worn, good; photo center-creased and faded, with typed caption pasted recto, manuscript caption verso, fair. Together with ten mimeographed bulletins from wartime clandestine presses, most single sheet printed recto only, one example [4] pp., another [2] pp., stapled, all toned and fragile, most with creases from prior folds and edge wear, a few with small closed tears and chipping, two with manuscript annotations.

Texts discuss resistance operations in Turin and Northern Italy, the Brigate Garibaldi, partisan and labor actions, the activities of the Corpo volontari della libertà, the French resistance, and the Soviet Union/Eastern front. Some bulletins dated and attributed, including “Il Grido di Spartaco,” a clandestine Communist newspaper; “La Federazione Comunista Torinese”; “Il Costituendo Partito P.R.I.”; and “Il Comitato di Agitazione del Piemonte.”

OCLC locates no specific holdings of any of these items, though relevant archives exist at the Hoover and Library of Congress.

SOLD

(Clandestine Press) (Women) Italian Women’s Resistance Leaflets and Serials

(Clandestine Press) (Women) Gruppi di difesa della donna e per l’assistenza ai combattenti della libertà. Three handbills and a clandestine issue of Noi Donne. [Turin?]: n.d., ca. 1944-45. Sizes vary, from 8-¾ x 6-½ in. to 4 x 9-⅛ in.; all sl. toned, one with chipped edges. Together with Le Donne e la resistenza: Un documentario Noi Donne da conservare, per non dimenticare. Rome: Noi Donne, n.d. [ca. 1946]. Large 4to, [48] pp.; profuse b/w illus. from photographs, newsprint toned with small dampstain affecting most pages, pages numbered 16-61; stapled illus. color wrapper with red star pasted to front cover, worn at corners and spine.

Rare examples from the clandestine Piedmont presses of the Italian women’s resistance movement, Gruppi di defesa della Donna (Gddd). Led in Turin by Ada Gobetti, Gddd’s partisans risked their lives to produce antifascist and feminist literature in the German-occupied Italian Social Republic. They collaborated with and supported the Corpo volontari della libertà (CVL) through mutual aid activities including propaganda, industrial sabotage, and first aid. Some joined the CVL’s armed resistance, in the Brigate Garibaldi.

The present group includes calls to action against “nazi-fascisti” and a previously unidentified? example of the women’s movement serial, Noi Donne, which originated in Paris in 1937 in the antifascist exile community, and was reborn during the Italian resistance as a clandestine paper allied with the Gddd. Regional editions varied widely; most groups did not have access to presses so they brought mimeograph machines to kitchens and women’s shops, and printed during the night; this example probably issued by the Turin section, edited by Dina Ermini

After liberation, the Noi Donne editorial office was located in Rome under the auspices of the feminist organization Unione Donne Italiane. In the present group is the large format Noi Donne supplement Le Donne e la resistenza. The special edition tells the story of Italian women’s participation in the resistance through texts and photographs solicited by the editors from the partigiane themselves.

Gddd documents and early issues of Noi Donne are virtually unknown outside of Italian archives. Scholars have noted that individual print runs might range from 500 to 10,000 copies, and that possession of an issue (let alone the dangers of printing) could lead to deportation, torture, or death.

Three Gddd flyers are included in the Library of Congress archive of wartime European underground publications. We are unable to confirm any physical copies of Noi Donne from the 1940s in North American institutional collections.

See Marisa Rodano. “Introduction.” Noi Donne, 1944-1945: Ristampa. Rome: Editrice Cooperative Libera Stamp, 1978.

SOLD

Conseils et soins à donner à la chevelure. Traité théorique et pratique

(Cosmetics) (Quackery) Sœur Haydée. Conseils et soins à donner à la chevelure. Traité théorique et pratique [title from front wrap]. [Toulouse]: [Impr. de Berthoumieu], n.d. [1930s]. 10 4-⅜ in x 2-½ in., 64 pp.; some pen annotations, illus. stapled wraps a bit worn.

Lengthy promotional treatise concerning a baldness cure developed by “Sister Haydée” and her ersatz convent.

$45

Grand Torneo Internazionale di Lotte Feminili al Salone Margherita

(Women) (Sport) Grand Torneo Internazionale di Lotte Feminili al Salone Margherita. Rome, 1912. Concertina booklet, closed: 5-½ x 3-⅜ in., illus. with ten portraits of the fighters, from England, Europe, Russia, and the US; some usual wear, esp. at folds.

Promotional booklet for a women’s wrestling tournament held an evening variety show at a well-known Roman theater. Photographs of each contestant are reproduced with captions identifying their last name, nationality, and weight. The earnest, athletic presentation of the “national champions” in this booklet was unusual for a sport regarded largely as entertainment. This style of presentation may have been related to contemporary interest in the international competition of the V Summer Olympiad, which opened the same month

We could not locate any other record of the tournament or the participants. Women’s wrestling was not included as an Olympic sport until 2004.

$900

30 Years of Amalgamated Cooperative Housing, 1927-1957

(Cooperative Housing) (Amalgamated Clothing Workers of America, AFL-CIO) Amalgamated Housing Corporation. 30 Years of Amalgamated Cooperative Housing, 1927-1957 [title from cover]. [New York]: [Amalgamated Housing Corporation], [1958]. 4to, [30] pp.; profusely illustrated, reproducing b/w photos and color charts; in stapled pictorial wraps, lightly worn, VG.

Sponsored in 1927 by the Amalgamated Clothing Workers Union, the Amalgamated Housing Corporation was the first limited equity housing cooperative in the United States. From its first site in the Bronx it eventually grew to encompass additional communities in Manhattan, including Amalgamated Dwellings and Hillman Houses on the Lower East Side.

The narration of Amalgamated’s success is accompanied by photos, maps, floor plans, and infographics that exemplify mid-century graphic design. Introductions by Jacob Potofsky and Abraham Kazan.

$150

Eight Jail and Prison Equipment Catalogues

(Trade Catalogues) (Prisons) Decatur Iron and Steel Co., Roanoke Iron and Bridge Works, Southern Steel Co., Van Dorn, and VANCO. Eight Jail and Prison Equipment Catalogues, ca. 1965-1975. All approx. 8-½ x 11 in., ranging from [4] to [12] pp.; profusely illus., each in orig. color wrappers with stab holes from earlier binding, rubbed at spine.

Modern marketing for prison cells and equipment depict the fantastical empty spaces of the architecture of control. Together the catalogues demonstrate the growing sophistication of marketing and design in the emergent prison-industrial complex.

Scarce. Some unrecorded in OCLC or held in fewer than 3 institutions.

$250

The Soldier Takes a Wife

(Family Planning) Planned Parenthood Federation of America. The Soldier Takes a Wife. New York, NY: Planned Parenthood Federation of America, Inc., [1946?]. 5-⅝ x 4-¾ in., [21] pp.; color illus.; stapled color illus. wrapper, very good.

Upbeat family planning for servicemen returning from the war. Encourages good soldiers and sailors to give up pin-ups and get married; offers advice for love and sex after marriage and family planning. Many aphoristic statements, sensitive for the modern man and appealing to the soldier. “Lovemaking among civilized peoples is a delicate art which can be attained only when the physical and emotional desires of both mates are realized.” “Getting married and having a family is like a military campaign. It takes forethought, preparation and [...] strategy.”

Published soon after Planned Parenthood was renamed.

$25

[O]n the illegality and inexpediency of segregating commercialized vice in St. Louis

(Antiprostitution) Committee of One-hundred for the Suppression of Commercialized Vice in St. Louis. Brief in support of citizens’ memorial to the Board of police commissioners of St. Louis, Missouri, on the illegality and inexpediency of segregating commercialized vice in St. Louis. St. Louis: n.p., 1914. 8vo, 32 pp.; stapled self-wrapper, sl. toned at edges, one small closed tear to front wrap, ex-library stamp and penciled shelf label, very good.

Report on the “fallacy of segregation” and in support of the red light abatement efforts of the St. Louis Police. With many reports from other cities nationwide.

$60

Techniques of Law Enforcement Against Prostitution: A Manual [...]

(Antiprostitution) (Law Enforcement) United States. National Advisory Police Committee to the Federal Security Administrator. Techniques of Law Enforcement Against Prostitution: A Manual for the Guidance of Enforcement Officers in Proceeding Against Prostitutes and Procurers. Washington, DC: Government Printing Office, 1943. 6-3/16 x 4-5/16 in., 75 pp.; stapled brown wrapper, small mark on front wrap, else near fine.

A manual for “vigorous and intelligent police action,” “Not for general distribution,” sheds light on the criminalization of individual prostitutes in the 1940s. Gives tactical suggestions for arresting streetwalkers, sting operations on call girls and taverns, plainclothes assignments, and independent vice squads.

$60

Report of the Commission for the Investigation of the White Slave Traffic, So Called

(White Slave Traffic) Commonwealth of Massachusetts. Commission for Investigation of White Slave Traffic. House - No. 2281: Report of the Commission for the Investigation of the White Slave Traffic, So Called. Boston: Wright & Potter, 1914. 8vo, 86 pp.; numerous charts and tables; stapled wrapper with ex-library stamp and penciled shelf label, otherwise very good.

Report on extensive investigation “to determine, so far as is possible, by what means and to what extent women and girls are induced or compelled by others to lead an immoral life …” “to endeavor to devise plans for preventing the evils it finds …” and a draft of bills “as may be necessary to carry its recommendations into effects.”

At the center of the report is a significant amount of sociological research conducted by the commission during interviews with known prostitutes and johns. While refuting entirely the “vague rumors” and myths of “white slavery,” fascinating details emerge about the early life of prostitutes in Massachusetts, and the commercial and penal systems they entered when they began their “immoral life.” With proposals for laws to address the “social evils” of dance halls, street solicitation, hotels, “call houses,” sexually transmitted disease, etc.

Rare in physical format.

$125

La prostitution [...] et ses multiples aspects

(Prostitution) (Anarchism) Armand, E[mile]. La prostitution, son histoire, sa définition, les conditions de sa disparition et ses multiples aspects. Paris: L’en déhors, 1933. Deuxième tirage. 8vo, 24 pp.; uncut, stapled pictorial wrapper, edges toned and sl. worn.

A pamphlet in support of prostitution and a radical new sexual ethic, including free love and camaraderie amoureuse by individual anarchist Émile Armand. Advertisements on rear wrap and front wrap verso for additional anarchist publications on sexuality and libertinage.

We suspect that this is the first and only edition given that all recorded copies have the same stated “deuxième tirage.”

$150

Le Véritable Guide des Jeunes Amoureux: Nouveaux Recueil des Lettres

(Etiquette) (Love Letters) Le Véritable Guide des Jeunes Amoureux: Nouveaux Recueil des Lettres. Montréal: Librairie Beauchemin Limitée, n.d. (ca. 1902-1908). 5-¾ x 3-⅞ in., 83 pp.; stapled pictorial blue wrapper, chipped at spine, separated at front.

Enchanting guide to romantic letter writing for young men and women. Includes extensive templates for all the awkward circumstances of love from initial introductions to marriage proposals but also multiple examples for rebuffing inappropriate advances, confirming shared affections, requesting a portrait, flirtations, breakups, reconciliations, complaints about absences, favorable and negative responses to marriage proposals, etc.

The publisher Beauchemin was incorporated under the name “Beauchemin Limitée” in 1902, it moved from the title page’s listed premises in 1908. OCLC locates four examples in Canadian institutional holdings, none in the US; some may represent a much later printing (1950s).

$95

Twelve Pamphlets, Offprints, and Reprints from the American Social Hygiene Association

(Antiprostitution) Twelve Pamphlets, Offprints, and Reprints from the American Social Hygiene Association and the Journal of Social Hygiene, 1917-1942. New York, NY: American Social Hygiene Association, 1917-1942. Various sizes, most octavo, 2-40 pp. each, most 8-10 pp.; condition varies, good to near fine, some illus. wrappers, some with ex-library stamps from the Jewish Welfare Board, Gainesville, TX, a few penciled shelf labels.

In 1913 several national antiprostitution and public health organizations united to form the American Social Hygiene Association (ASHA). Based in New York, their founders included reformers and philanthropists such as Jane Addams and John D. Rockefeller, Jr. The ASHA supported campaigns to end prostitution and redlight districts (and their attendant venereal diseases) through scientific inquiry, social reform, and community action. They cooperated with medical organizations, law enforcement, and social welfare groups to develop public information campaigns. The documents in the present collection represent the wide range of ASHA’s activities, with a particular focus on WWI and WWII when the health of enlisted men was used as political leverage against commercialized vice. Includes a pamphlet reprinting a speech by Fiorello LaGuardia that captures the somewhat comedic ambivalence of many politicians to “clean communities.”

$375

Includes:

American Social Hygiene Association. Why Let it Burn? [title from cover]. New York, NY: American Social Hygiene Association, 1941. Stapled leaflet, 15 pp.; in illus. color self-wrapper, very good.

“Prostitution must be recognized as a Fifth Columnist in our midst.” Although another pamphlet was issued by the ASHA under the same title in 1919, this edition appears updated with new research and arguments relating to America’s wartime concerns.

Six Offprints and Reprints from the Journal of Social Hygiene, 1918-1941. New York: The American Social Hygiene Association, 1918-1941. All octavo, 2-40 pp. each, most 8-10 pp.; some edgewear with small closed tears, ex-libris stamps, most from the Jewish Welfare board, Gainesville Texas, one with penciled shelf label.

The longest articles, from 1919 and 1920, offer a history of the antiprostitution movements in New York City (the “Committee of Fourteen”) and California (Redlight Abatement Act). Another article, 1936, addresses the issue of legalized prostitution

American Social Hygiene Association. The Case Against Prostitution. New York, NY: American Social Hygiene Association, 1940. Pamphlet, unfolded approx. 16-½ x 10-¾ in., [12] panels, recto an informational broadside suitable for posting; sl. toned at edges, front panel with ex-library stamp, Jewish Welfare Board, Gainesville, TX.

Rare ephemera intended to promote the “clean community environment in which prostitution cannot flourish.” Includes a “practical program” for community action.

Johnson, Bascom; LaGuardia, Fiorello; and Jean B. Pinney. Three American Social Hygiene Association Pamphlets, 1940-1942. 8vo, 8-24 pp. each; one illus., stapled wrappers, sl. toning and edgewear, good.

Reprinted from the Journal for Social Hygiene: How Fares the Battle Against Prostitution (Pinney); Prostitution and Quackery in Relation to Syphyilis Control (Johnson); and “An Address” (LaGuardia).

LaGuardia pamphlet reprints a speech including a jokey intro in which the Mayor seems confused about why he is speaking at a conference about Commercialized Vice and not at a leather or furniture convention.

Kneeland, George J. Commercialized Prostitution and the Use of Property. New York, NY: New York Social Hygiene Society, 1917. 8vo, 8 pp.; ½ in. closed tear on upper edge goes through entire pamphlet; stapled printed wrapper, edges worn, with ex-library stamp and penciled shelf label, fair.

Excerpted from Social Hygiene, Vol. II, No. 4 (Oct. 1916).

How We are Defending the Health of Our Soldiers and Sailors: 309 Houses of Shame Closed

(Antiprostitution - California - Socialism) Hichborn, Franklin and L.D. Bohnett. Five Informational Leaflets: Redlight Abatement Acts Prove Effective in Other States; Segregation Does Not Segregate and Regulation Does Not Regulate; Source of the Opposition to the Redlight Abatement Act; State Government by Perjury and Forgery; The California Redlight Abatement Law: It’s Provisions and Purpose. San Francisco, CA: Campaign Committee for the Redlight Abatement Bill, 1914. Five leaflets, each approx. 6-⅜ in. x 3-⅜ in., 4, 6, 6, 8, and 8 pp. Together with Franklin Hichborn, Answers to Arguments … Against the Redlight Abatement Act, [California]: n.p., [1914] 8 pp. Most with small ex-libris stamp from the California Commonwealth Club and penciled shelf labels or scattered other marks or edgewear, a couple of small closed tears. Good.

Propagandist description of the controversy arising from California’s Red Light Abatement Act, a.k.a. the Bohnett-Grant Act. The Act was signed into law in April, 1913, but was contested by a statewide voter referendum held in November 1914, where it was affirmed. Like other Red Light Abatement laws, it ended segregated “redlight districts” and transformed public nuisance law to allow the government to take action against landlords whose property was used for brothels or “lewdness.” Importantly it also allowed for any resident citizen of the state to “maintain an action” against a specific property, empowering communities to act directly, without involving law enforcement.

Many high-profile supporters of the Act were Reformists and socialists. The leaflets here are mostly written by journalist Franklin Hichborn, an associate of prominent reformer John Randolph Haynes and his suffragist wife, Doris Haynes. Hichborn takes aim directly at prostitution’s profiteers and the link between capital and sex. One pull quote, from a municipal judge in Portland, OR, sounds almost contemporary in its appeal to move away from “criminal prosecutions, because [they] are usually directed at the pawn in the system while the real culprit, the man who knowingly permitted the use of his property for immoral purposes … is allowed to go unwhipped.”

Together with:

(Antiprostitution - California - WWI) State Law Enforcement and Protective League. How We are Defending the Health of Our Soldiers and Sailors: 309 Houses of Shame Closed. San Francisco: State Law Enforcement and Protective League, 1918. Trifold pamphlet [6] pp.; illus. from photos, two small closed tears, edges worn, one small repair?

Exemplary and rare document of the overheated rhetoric in the fight against prostitution and its special urgency during wartime. The League’s purpose is declared to be the protection of men in service and purity of home, primarily through “suppression of the vice exploiter” and “rehabilitation of the vice victim.” The pamphlet is primarily a report on legal actions brought under the Redlight Abatement Act. Seven recently closed “dens of vice” in the San Francisco Bay area are illustrated next to the descriptions of hundreds of others, and evidence of “white slave” trafficking. Not found in OCLC.

$550

Women’s Forum on Prostitution Rights: Program

Women’s Forum on Prostitution Rights. Program. San Francisco: Women’s Forum on Prostitution Rights, [1984]. Single pink sheet, 8-½ x 5-½ in., printed recto and verso, some wear, creases, good.

Verso supplies the four-day program for a conference on prostitution rights in July, 1984 (date from Hooker’s Ball advertisement). Speakers include many well-known advocates and activists for prostitutes’ rights, including Margaret Prescod, Margo St. James, Delores French, Gloria Lockett, et al. Recto advertises the infamous Hooker’s Ball and the Coyote Film Festival.

$30

Opal Correspondence Club Ephemera

(Marriage) Reasoner, Walter E. [and Opal N. Reasoner]. Opal Correspondence Club Ephemera. Rosiere, New York: Opal Correspondence Club, [1919]. Six items: two personal ad directories, [16] and [8] pp., one dated membership offer, one blank “Gentleman’s Application,” an introductory letter, and a trade card. Overall very good, minor wear at directory spines.

Items presumed to constitute a man’s introductory package to the Opal Correspondence Club, a matrimonial agency. The Club was named after the wife of its president and manager, Walter; Opal Reasoner is also listed as the Manager of the Ladies Department.

The blank application and the personal ads capture the pragmatic aspect, for both men and women, of many lower-middle-class and middle-class marriages in the first quarter of the 20th-century. Emphasis is given to income, inheritance, real estate holdings, children, hereditary disease, and religion. Personal questions somewhat limited: “Are you of good morals?” “Do you prefer city, town, or country life?” The Reasoner’s club was strictly limited to white applicants. The “updated” directory includes the new rule “No Colored People Accepted.”

Walter and Opal were entrepreneurial in other fields. The directory includes advertisements for their “Minette” correspondence photo service and two different pocket multi-tools.

We are unable to locate other references to this agency.

$275

(Trade Card) McDonnell’s Matrimonial Association.

(Trade Card) (Correspondence Marriage) McDonnell’s Matrimonial Association. [Lady Member]. Chicago: n.p., n.d, ca. 1900. 5-⅛ x 3 in., printed recto and verso; soiled with creases, older cellophane holding top corner with small loss.

Advertising a free directory of 2000+ ladies in the US and Canada with a “view to amusement, mutual improvement [and] matrimony.” Including photographs. “Would you like a rich girl, a poor girl, a beautiful woman, a buxom widow, a pretty maiden, a well-educated young lady, a farmer’s daughter, or a good housekeeper? We have them all …”

We are unable to identify other references to Walter McDonnell’s Chicago service.

$125

Cultura Física y Sexual. All Published

Martin de Lucenay, Ángel. Cultura Física y Sexual. Vol. 1, Tomo 1 (Dec. 1935) through Vol. 3, Tomo 3 (June 1936) [all published]. Barcelona: Editorial Cisne, 1935-1936.

Small 4to, 13 issues bound in three vols., orig. wrappers bound-in, each 72-160 pp., Vols. 1 and 2 each comprised of five issues, Vol. 3 of three issues, subtitles vary; illus. b/w pls, approx. 4-8 per issue, most credited to the Foto Mayo studio; tan calf with printed labels to spine, rubbed and bumped, labels abraded with losses, interior very good.

A complete run of the Guerra Civil-era pulp sexuality series by author and sexologist Dr. Ángel Martin de Lucenay. Two years earlier Lucenay developed a progressive sexual education series with another popular Republican press, Editoral Fénix. In this new version, for Cisne, Lucenay largely abandoned the political aspects of his project in favor of a titillating, sometimes racist narrative about human sexuality. Pseudo-scientific topics provide the opportunity for nude and medical photography, including sports and sexual health, normal and abnormal physiology, race and sexuality, euphoric drugs, sex and gymnastics, etc. Many political references remain; the Soviet sex education curriculum and sports system are offered as ideal education programs.

Most of the nude photography is credited to Foto Mayo, a family studio well-known before the Guerra Civil for its anarchist and communist sympathies. Their photojournalism of the Guerra Civil made them famous and at the end of the war the three brothers were forced to flee to Mexico, where their studio, renamed Hermanos Mayo, continued to cover political violence, including the Tlatelolco massacre in 1968.

Rare Republican sexuality series, OCLC lists only one complete run in institutional holdings worldwide, none in North America.

$750

Sous la jupe: illustré

Maindouce, G. Sous la jupe: illustré. Paris: Les Éditions du Couvre-Feu, n.d. [ca. 1933-1935]. 8vo, 115 pp.; erotic fiction illustrated with 28 b/w pls., most printed recto, some also verso; in orig. wrapper with color d.j., d.j. beginning to split at spine, edges worn, else very good. D.j. with misprint “Nombreuses illustrations sujestives” [sic] described by Pia.

Éditions Couvre-Feu was one of a number of imprints founded by Léon [a.k.a. Victor?] Vidal under the larger umbrella of his erotic publishing and fashion group, Société des Éditions Gauloises. Couvre-Feu specialized in pseudonymous fetish, sadomasochist, and bondage literature; illustrated with fetish photography by Studio Biederer and from the archives of Vidal’s other business, the lingerie company Diana-Slip, whose catalogue included anonymous fetish images by Brassaï, Kertesz, and Roger Schall.

Several editions bearing the title “Sous la jupe” were issued by Couvre-Feu between 1933-1935. They differ considerably from this rather avant-garde example and priority has not been convincingly established: one was unillustrated, another included extracts of several erotic stories with only scattered illustrations, a third was a promotional list of erotic publications, and an English variation was issued by Éditions Richepanse in 1935. Nevertheless, it is possible to match some of the “detourned” images in this artistic edition to others by the Studio Biederer and from the Diana-Slip catalogues.

Though recorded in Pia, P., Livres de l’Enfer, this version and d.j. seemingly uncommon, OCLC locates no holdings of this edition in North America.

$450

Cine Cubano. Año 1, No. 3 and Año 2, No. 6.

Guevara, Alfredo, Ed. Cine Cubano. Año 1, No. 3 (Nov. 1960) and Año 2, No. 6 (February 1962). La Habana: n.p., 1962. 2 issues, each: 4to, 82 pp.; profusely illustrated review of Cuban and international cinema; some edgewear, creases, or nicks; former with ex-libris stamp on p. 3, latter with loss to top corner of front wrap.

Early issues of the classic revolutionary film journal.

$75

Radioactivo: Poderoso Fertilizador y Estimulante Para La Vegetación

Banco del Radium [Banque du Radium, Paris]. Radioactivo: Poderoso Fertilizador y Estimulante Para La Vegetación [title from wrapper]. Barcelona: [Banque du Radium] and [R. Cumellas], [1915]. 8vo, 8 pp.; in Spanish, some translated from French, printed in green, with historiated initials, near fine.

Attractive art nouveau promotional booklet for radium soil enrichment, from a period of explosive popular interest in radium. The text compares the “therapeutic” action of radium in agricultural applications to those in human medical treatments—combating unknown “infirmities” and cultivating new vigor.

Published by a Spanish representative for the radio-agricultural firm Banque du Radium, Paris. BDR was established by a friend and sponsor of Marie Curie, the French industrialist Emile Armet de Lisle. Armet de Lisle also published the journal Le Radium.

Uncommon, we locate no other examples of Banque du Radium or Banco del Radium promotional materials in OCLC or the trade.

$225

Cartilla Maya-Español para los monolingües Mayas de Yucatan, Campeche y Quintana Roo

[Beloff, Angelina. (Illustrator)]. Instituto de Alfabetización en Lenguas Indígenas, México. Cartilla Maya-Español para los monolingües Mayas de Yucatan, Campeche y Quintana Roo. México, D.F.: [Secretaría de Educación Pública], 1946. Small 4to, 102 pp.; illus. reader, unmarked, newsprint pages toned, fragile, and chipped, a few leaves unopened; in color pictorial wraps, with closed tears and losses, fair.

A Maya-Spanish children’s primer, part of the Secretary of Education’s campaign against illiteracy, particularly among indigenous, monolingual populations. These federal initiatives had mixed results and were largely unsuccessful at achieving larger social improvements in rural communities.

This edition illustrated by artists Angelina Beloff and Gabriel Fernández Ledesma, both associated with the muralist movement (Beloff through her marriage to Diego Rivera).

$150

Cuauhtemoc

[Valcárcel, Gustavo and Adolfo Mexiac (Illustrator)]. Cuauhtemoc. Serie Biografia, No. 1. México, D.F.: Instituto Nacional Indigenista, 1956. Small 8vo, 48 pp.; illus. throughout from linocuts and drawings by Mexiac, lightly toned; orig. stapled pictorial wrapper, sl. worn.

A condensed biography of the last Aztec Emperor with bold illustrations by Adolfo Mexiac. From an intended series of indigenous biographies of which only 2 vols. were seemingly published.

OCLC identifies only two copies in US libraries.

$150

Untitled

Yampolsky, Mariana. Untitled. ca. 1945-55. Linoleum cut, image: 7 x 3-1/2 in., sheet approx.: 9-1/4 x 7-7/8 in.; top edge sl. foxed, not affecting image. Signed in pencil, further inscribed by the artist in pen to Madam Hedwig Reducing Salon “Good for one facial [...] call for appointment before November 1, 1955.”

Yampolsky (1925-2002) immigrated to México from the US in 1945. That year she was hired by the Taller de Gráfica Popular (TGP)—the only woman working in the TGP studios at the time. She became a celebrated illustrator and photographer and, in 1958, a Mexican citizen.

This print is emblematic of her TGP-era style and was seemingly offered to a salon in exchange for a facial treatment. As “occasional art,” an emerging way of describing art either produced for special occasions, gifted, or bartered, it offers a disruptive context for understanding the production and distribution of art.

$225

¡Vean estos films!

Sovexportfilm. ¡Vean estos films! [cover title]. Moscow: Sovexportfilm (Asociacion URSS para la Exportatcion y La Importacion de Peliculas), ca. 1962. Oblong 4to, [26] leaves; profusely illus., [20] pp. with full-page color illus. advertising Soviet films, further [12] pp. with pockets for loose portrait photos of actors, two per page, approx. half present, heavy wear to edges.; in orig. comb binding, entirety worn with some dampstain at front.

One of many iterations promoting Soviet films to international theaters and audiences, this one a deluxe Spanish version, distributed in Mexico. Advertising a number of famous Soviet movies and stars from 1958-1961.

Not located under this title (or approximate translations) in OCLC.

$125

Mexico

Comité Organizador de la Participación en la Exposición Ibero-Americana de Sevilla, Luis Alberto de Herrera, and Francisco A. Sáenz. Mexico. [Mexico]: Talleres gráficos de la nación, 1929. Oblong 4to, 591 pp.; full-page b/w pls. throughout, paper toned, pls. very good; 3/4 green cloth, corners bumped, paper labels stained.

Large format, encyclopedic album commissioned by the government’s department of propaganda to present the modern political and social structures, and economic successes of post-revolutionary Mexico to an international audience. Lavishly illustrated with tipped-in plates reproducing photographs of government buildings, schools, public transportation, industrial and commercial sites, and public works. Most plates with decorative borders inspired by Aztec designs. The album culminates with images and descriptions of the Mexican pavilion in Sevilla.

An important piece of propaganda describing the massive reforms of the post-revolutionary period, it was published under President Calles’ direction in the year that he founded the Partido Revolucionario Institucional (PRI), a time in which the “social revolution” was very much still at risk.

Example 440 of 3000.

$450

U/topistas: Estudio para proyectos contemporaneous

[Art – Puerto Rico] Universidad Sagrado Corazón, Galería de Arte and Michelle Marxuach Galería. U/topistas: Estudio para proyectos contemporaneous. San Juan, Puerto Rico: Michelle Marxuach Galeria; M&M Art Projects, [2000]. 8vo, [78] pp.; color illus., wrappers sl. loosened with small markings on front cover.

Catalog documenting projects by 37 Puerto Rican artists for an exhibit that took place at the Galeria de Arte de Universidad Sagrado Corazon in conjunction with the PUERTO RICO ‘00 (PARENTESIS EN LA CIUDAD) exhibition. Includes early work by Puerto Rican artists Allora & Calzadilla, Ernesto Pujol, Pedro Velez, and others. OCLC locates a single holding (Getty).

$95

A ruptura da fotografia nos anos 50

Oiticica, José Filho. A ruptura da fotografia nos anos 50. Catalogue of an exhibition held at Galeria de Fotografia da Funarte, Rio de Janeiro, January 14 - February 25, 1983. Rio de Janeiro: Edição Funarte, 1983. 4to, 97 pp.; intro by Hélio Oiticica, illus. with 50+ full-page b/w reproductions of photographs; in paper wraps, scuffed, especially spine, else very good.

Uncommon Brazilian photo exhibition catalogue. José (1906-1964) was an entomologist, mathematician, and a photographer who experimented with microphotography, abstraction, and constructivism. He was also the father of renowned artist Hélio Oiticica. Hélio’s introduction in the catalogue was written c. 1967.

$150

Crónicas, documentos, y otros papeles.

(Art—Medicine) ​Slullitel, Isidoro. Crónicas, documentos, y otros papeles. [Rosario, Argentina]: Self-published, 1971. 8vo, 473 pp.; frontispiece b/w reproduction of a woodcut by Juan Grela; paper toned; pink card wraps, worn and splitting, top edge foxed. Gift inscription on half-title from author to the artist Gyula Kosice.

Slullitel was an orthopedist and art collector whose patronage in Rosario extended to both the visual arts and a literary salon. An uncommon volume of his thoughts about the relationship between medicine, art, and culture, with an important association.

Unrecorded in OCLC.

$175

Tercer Salon Italo: La energia en las artes visuals

Compañía Italo Argentina de Electricidad and Museo de Arte Moderno, Buenos Aires, Argentina. Tercer Salon Italo: La energia en las artes visuals. Exh. Cat. [Buenos Aires]: [La Compañía], 1971. Oblong 8vo, [36] pp.; b/w pls., wrappers lightly worn at extremities.

Catalogue an exhibition of painting and sculpture by Argentinian artists, on the theme of energy.

OCLC locates five copies in North America: Getty, Lib. of Congress, MoMA, Univ. of Texas, and Trenton.

$50

Sol Lewitt

LeWitt, Sol. Sol Lewitt. Catalogue of an exhibition held at the Haags Gemeentemuseum 25 July – 30 August, 1970. The Hague: Haags Gemeentemuseum, 1970. Oblong 4to, 64 pp.; b/w illus. throughout; in orig. wraps, rubbed and worn at extremities, bumped corners sl. affecting interior leaves; ex-library with ownership sticker on front cover.

$50

Rauschenberg: Selections

Rauschenberg, Robert. Rauschenberg: Selections. Catalogue of an exhibition held at the Fort Worth Art Center Museum, January 5 – February 2, 1969. Fort Worth, TX: Fort Worth Art Center Museum, [1968]. 4to, [46] leaves, incl. intro, descriptive and critical “collage,” [12] plates with b/w reproductions of artworks from the exhibition, exh. checklist, and bio; in orig. pictorial wraps, spine reinforced with tape, splitting at foot; ex-library with shelf mark sticker to front cover.

In a short intro, the museum’s director, Henry T. Hopkins, writes that he wanted to bring a substantial exhibition of the artist’s work to the state where he was born (and where it had rarely been seen). After meeting the artist to discuss the catalogue and face the “vexing problem of more words on art,” they decided to create a kind of collage of previously published writing. “Ideally the mild frustration produced by reading it will be a reminder of the interplay between art and life and as such, a reflection of Rauschenberg’s chosen realm.”

Rauschenberg put similar ideas to work in his well-known Abrams monograph, published the following year.

$759

Poem 1 and Poem 2. From Penny Poems, No. 31

Oldenburg, Claes. Poem 1 and Poem 2. Penny Poems, No. 31. New Haven, CT: Penny Poems, 1959. Single-sided sheet, 8-1/2 x 11 in., toned with losses at two corners; typed-signed at bottom, Claes Oldenberg [sic].

Scarce issue of Penny Poems, the daily broadside poetry series founded by Yale grad students in 1959. It was sold at various bookstores for 1¢ and published early work by a number of famous language poets and Beats including Amiri Baraka (LeRoi Jones), Diane di Prima, and Ron Padgett.

This would appear to be the first published writing by Claes Oldenburg, whose poetry based on found imagery was the subject of a 2012 exhibition by at the Menil Collection, Houston, entitled Strange Eggs: Poems and Cutouts, 1956-1958. The exhibition focused on a transitional period in his artwork, shortly before he made his first iconic Pop sculptures. The humor and absurdity of the “collage-like” poems are evident in these examples.

OCLC records only one holding: Brown; a copy may also be held at Yale.

$750

¿Qué es la CNT? : La emancipación de los trabajadores será obra de ellos mismos o no será

Confederación Nacional del Trabajo, Federación Local de Malaga. ¿Qué es la CNT? : La emancipación de los trabajadores será obra de ellos mismos o no será. Malaga: Libreria Interna Confederal, Federación Local de Malaga, 1978. Oblong 8vo, 26 pp.; stapled pictorial wraps, sl. soiled and creased, ex-library with withdrawn stamp p. 5 not affecting text.

$25

Pedrito Contreras y Juan del Campo

Segui, Pedro. Illustrator. Pedrito Contreras y Juan del Campo. [Argentina]: N.p., [1950]. Oblong 8vo, [16] pp.; color illus. propaganda narrative with one page marked with English; stapled illus. wrapper, colors bright, lightly worn, very good.

Unusual Peronist propaganda illustrated by humorist Pedro Segui. Text defends Peronist nationalization policies from criticisms following rapid inflation and economic isolation.

OCLC lists two holdings: Brown and UMass-Amherst.

$60

Las Juventudes Libertarias de Artes Gráficas protestan [...]

[Federación Ibérica de Juventudes Libertarias (FIJL) and Federación Anarquista Ibérica (FAI)] and Comisión pro-Cultura Juventudes Libertarias de Artes Gráficas. Las Juventudes Libertarias de Artes Gráficas protestan del torpedeamiento de que es objeto la Banda Municipal, y piden a las demás Juventudes y amantes de la cultura, que hagan otro tanto. [Barcelona]: n.d. (ca. 1936-38). Broadside, 8-1/2 x 6-1/4 in.; toned and creased.

Impassioned and cheeky defense of the Municipal Band of Barcelona by a youth graphic arts and cultural commission associated with the socialist and anarchist federations during the Civil War. The band was directed by Joan Lamote de Grignon. Lamote was fired after Franco took the city in 1939 and fled to Valencia.

$175

Carteleras. Año I, No.1 - Año 1, No.3 (all published?)

Comite Ejecutivo de Espectaculos Publicos de U.G.T.-C.N.T. Carteleras. Año I, Núm. 1 (24 Enero 1937) to Año I, Núm. 3 (7 Febrero 1937) (all published?). Valencia, Spain: N.p., 1937. Three issues, each a single-sheet 4to, [8] pp.; some wear at edges and creases.

Weekly pamphlet advertising upcoming films and theater schedules in Valencia, published by the UGT-CNT whose unions controlled the theaters and film selection. Uncommon ephemera from the cultural revolution of the Spanish Civil War.

Unrecorded in OCLC.

$175

Comitè Econòmic d’Espectacles Públics

(Cinema) Comitè Econòmic d’Espectacles Públics. [Theater Broadside]. Girona, Spain: [CNT/AIT: Comitè Econòmic d’Espectacles Públics], 1936. 8-3/4 x 12-3/4 in.; toned as expected with a few ink notations, partially backed with paper, good.

Broadside advertising the weekend schedule (Aug. 27-30, 1936) of three Catalonian theaters collectivized by the CNT/AIT during the first month of the Spanish Civil War. The schedule included three class-conscious Hollywood movies: Vivamos de Nuevo (We Live Again, 1934; based on Tolstoy’s Resurrection); El Payaso del Circo (Circus Clown, 1934); and Duro y La Cabeza (St. Louis Kid, 1934).

Unrecorded in OCLC.

$175

Teatre del Poble: La música a través del poeta

Comissió de Cultura de l’Ajuntament de Terrassa. Teatre del Poble: La Música a través del poeta. Terrassa, Spain: Salvatella, 1937. Tri-fold, single sheet program, folded: 8-1/2 x 6 in., [6] pp.; approx. 1/2 in. neat closed tear at bottom edge, else very good; signed in ink by soloists Matilde Viver and A. Pons I Guitart.

A concert of “sublime” music probably prepared or sponsored by the Republican Teatro del Pueblo which organized performances in Catalonia during the Civil War. Representative of a brief avant-garde uprising in a conservative suburb of Barcelona, where some traditionalist artists were imprisoned (including Salvador Salvatella, founder of the press which issued this program?).

$95

Nosotros: [Revista Mensual Anarquista]

(Giménez Igualda, Miguel). Nosotros: [Revista Mensual Anarquista]. Nos. 1 [Oct. 1937] and 5 (Feb. 1938). Valencia: Editorial Guerri, 1937-38. Two issues, 4to, each 48 pp.; paper wrappers toned with spotting, no. 5 corner bent, affecting a few subsequent pages, minor interior foxing.

Two of five issues of the short-lived serial published by anarchist Miguel Giménez Igualda during a critical period in the Spanish Civil War. Most of its articles are attributed to one of Giménez’s pseudonyms or to French anarchists including Han Ryner; Giménez was also associated with the international Teatro del Pueblo movement (no. 1 reprints materials related to Isaac Steinberg, [Rodolfo González] Pacheco, and the Teatro del Pueblo in Barcelona). Other content focuses on anarchist philosophy; arts; and antifascism.

OCLC finds no physical holdings in North America.

$250

On the Question of Homosexuals and the Party

(New Communist Movement – Homosexuality) On the Question of Homosexuals and the Party. N.p., n.d., [1973?]. (2) 8-1/2 x 14 in. sheets, [4] pp.; staple neatly removed, second sheet with minor stains verso.

Doctrinaire “Marxist Leninist defense of the line of the Continuations Committee on homosexuality,” arguing there is a “material basis for the exclusion of homosexuals from the party building movement.” The paper condemns the mores and metaphysics of the “depraved liberal bourgeoisie” and provides a materialistic, dialectical argument against homosexuality. Homosexuality is not a private question, it is a “social relation” that “replaces love and comradeship between the sexes with antagonism and hatred […] There is no way that such degenerates and exploiters can be admitted to […] the revolutionary party.”

The National Continuations Committee was part of the New Communist Movement: it emerged from a 1973 national party-building conference intended to create consensus between a number of Marxist-Leninist organizations. Its stated purpose was “a defense of the science of Marxism-Leninism and […] an all out assault on the CPUSA and all forms of revisionism.” Regional groups were formed to provide issue papers to the Continuations Committee, and this appears to be one of them. Its vehement argument against sexual freedom and the factionalism that undermines class unity is an overwhelming repudiation of progressive politics and the American left.

Primary source document of the mixed history of communism and LGBTQ rights. No copies found in OCLC.

Ref. National Continuations Committee Newsletter No. 1 (January 1974).

$225

Sun Annual

(Nudism) Sun Annual. Nos. 1-3 (all published?). [Mays Landing, NJ]: Sunshine Publishing, [1959-1961]. Square 8vo, each 96 pp.; profusely illus. with b/w reproductions of nudist photography and a few color spreads, in stapled color pictorial wraps, covers lightly worn, else very good.

An annual roundup of international “social nudism” by the publishers of Sun Magazine. Photo essays and texts explore nudist vacations in the US and Europe, with topics relevant to foreign customs and campgrounds. A number of essays are of special interest: including the value of the Polaroid to the nudist community, a lengthy review of the “first” nudist movie, “Nature’s Paradise” (1959), and sociological commentary about the evolving nudist movements in Britain, Denmark, and France: “The Silent Revolution.”

OCLC locates two holdings, at least one complete: Indiana (Kinsey) and Rutgers.

$350

65th Commemoration, Paris Commune, at Webster Hall

(Humphrey, Doris) [International Labor Defense, N.Y. District]. 65th Commemoration, Paris Commune at Webster Hall. New York: International Labor Defense, 1936. Flyer, 8-1/4 x 5-3/4; torn and chipped, missing top right corner.

Advertising a March concert commemorating the Paris Commune, with performances by modern dance pioneer Doris Humphrey and her partner Charles Weidman, and a lecture by Robert Minor, political cartoonist and a leader of the American Communist Party.

$65

Art: The Independent Review. No. 1 (Dec. 1987) and No. 2 (Mar. 1988)

[Art] [South Africa] Hitge, Margaret, Ed. Art: The Independent Review. No. 1 (Dec. 1987) and No. 2 (Mar. 1988). Broederstroom, South Africa: Bruce Attwood, 1987-1988.

Two issues, 8vo, 96 pp. and 92 pp.; profusely illus. with b/w and color reproductions; color illus. wrappers, No. 1 shaken, front wrapper rubbed, with creases and closed tears.

Nearly complete run (lacking final issue) of scarce arts serial by artists; straight talk with relatively informal reviews and discussion of political and artistic realities of South African art world in the late 1980s. Essays and advertisements express deep anti-apartheid views, but also reflect positions of privilege. Notable articles include “Across the Color Line,” by David Koloane and “Women Artists Need Wives,” by Judith Mason.

OCLC finds only 2 incomplete holdings in North America, one complete run in the world.

$150

Apóstrofes: Revista de la Escuela de Periodismo Universidad Católica. Año I, No. 1–No. 3

[Chile] [Student Movement] Apóstrofes: Revista de la Escuela de Periodismo Universidad Católica. Año I, No. 1 (May 1982)–No. 3 (Sept.-Oct. 1982) (all published?). Santiago, Chile: 1982. 8vo, three issues: 23 pp., [25] pp., [21] pp.; side-stapled mimeograph with illus. wrappers, b/w reproductions of orig. graphics, including cartoons, collage, and photography, light edge-wear and toning at extremities, No. 2 toned, front wrap with small crease.

When the left-wing Popular Unity party (led by Salvador Allende) came to power in 1970, they reached an agreement to undo previous limits on the freedom of the press in Chile. This brief period of pluralism was silenced by the Pinochet coup in 1973, which ushered in not only an era of censorship, persecution, and state-sponsored journalism, but also a period in which opposition journalists were imprisoned, tortured, and “disappeared.”

It is within this context that students at the Journalism School at Santiago’s Catholic University began publishing this short-lived serial, questioning the role and relevance of the professional journalist in Chile. Beginning as a general inquiry into the conditions of journalism and teaching, the tone shifts, rejecting university and national hierarchies and censorship. No. 3’s headline “Renacer del Movimiento Estudiantil,” declares the rebirth of the student movement following the arrest and torture of Marcela Palma, secretary general of El Centro de Estudiantes de la Universidad Católica (and sister of the leftist paramilitary Ricardo Palma). Articles report on colleagues in exile and the duty of the journalist to justice and critical thinking.

No copies found in OCLC or direct searches of Chilean national online catalogues.

$275

Recueil des instruments de chirurgie orthopédie et mobiliers

[Trade Catalogue]. [Medicine]. Maison Mathieu. Recueil des instruments de chirurgie orthopédie et mobiliers: nouvellement construits ou perfectionnés. Année 3, No. 2 (Sept. 1908). Paris: 1908. 8vo, 16 pp.; illus. with photographic reproductions and technical drawings; orig. printed wrapper, contents neatly removed from staples, wrapper toned with light wear at extremities; additional plate and advertisement laid in.

Instruments of surgery, predominantly for amputation, and prosthetics. Add’l plate with 2 graphic images of an amputation.

OCLC locates no holdings with this issue statement.

$45

Collection of 31 photographs of Chilean modern dance pioneer Andrée Haas

[Modern Dance] [Chile]. Collection of 31 photographs of Chilean modern dance pioneer Andrée Haas. Comprised of 21 medium format prints: each trimmed to approx. 9 x 6-1/2 in.; and nine other prints: seven approx. 5 x 7 in. and two smaller; together with an undated playbill for a Andrée Haas performance at the Teatro Municipal, Santiago de Chile: 12-3/4 x 9-1/8 in. Fourteen of the photographs by Ignacio Hochhäusler, identified by recto ink signatures and/or studio stamps verso; six by Georges [Jorge] Sauré, signed in ink recto. Most good with light rubbing or toning, some with adhesive or adhered paper verso, a few edge worn, two with small losses at edge. Santiago de Chile: ca. 1930-1940.

Early modern dance in Chile was influenced greatly by the Swiss dancer Andrée Haas (1908-1981), a student of Émile-Jaques Dalcroze and founder of the first modern dance program at the University of Chile in 1928. Along with her colleague Elsa Martin, who studied with Mary Wigman, Haas taught new approaches to dance influenced by modern music, psychoanalysis, and personal expression.

Haas included coursework in gymnastics, eurhythmics, free dancing, choreography, pantomime, and other techniques drawn from Dalcroze, Wigman, and Rudolf Laban. As the only modern dance teacher in Chile until the late 1930s, her classes were the principal origin for most of the first generation of Chilean modern ballet dancers, including Malucha Solarí. Her program and many well-reviewed performances in Santiago during the 1930s have been described as a critical element of the explosion in public appetite for avantgarde arts in Chile during this period. These performances came well before Kurt Joos’s South American tour in 1940, often described, perhaps unjustly, as the seminal moment in Chilean modern dance history.

This group of photographs documents the expressive and gestural movement that Haas popularized in Chile. Many of the prints are by Georges [Jorge] Sauré and Ignacio Hochhäusler, both well-known portraitists of Chilean artists and intelligentsia.

Most of the images are identifiable as Haas, ca. 1930, from a similar image in the catalogue of the Salon des Independientes, 1931. A few photos somewhat later, two group photographs, and two headshots of other performers, probably Elsa Martin.

See María José Cifuentes, Historia Social de la Danza en Chile (Santiago: LOM Ediciones, 2007); Andrée Haas, “La Escuela de Danza del Instituto de Extension Musical,” Revista Musical Chilena, Año I, No. 7-8 (1945): 19-26; Eduardo Lira Espejo, “La Danza Sintesis Expresiva,” Revista de Arte Vol. 3, No. 13 (1937): 22-26; and Yolanda Montecino de Aguirre, “El ballet nacional chileno: perspectiva histórica y humana,” Revista Musical Chilena, Año 16, No. 80 (1962): 9-30.

$2250

Books from the estate of Mark Tobey

[Tobey, Mark.] Glover/Hayes. Books from the estate of Mark Tobey. Seattle: 1982. 4to, 12 pp.; stapled mimeographed sales list of 143 books “signed by, or inscribed to, Mark Tobey,” dated in pen, minor creases from folds, good condition.

We can find no other record of this sale of books from the American abstract painter’s estate. The annotated list describes signatures and inscriptions.

$75

Dara Birnbaum: Video

Birnbaum, Dara and Erkki Huhlama. Dara Birnbaum: Video. Catalogue for an exhibition held at Norrtälje Konsthall, April 8-June 10, 1995. Norrtälje, Sweden: Norrtälje Konsthall, 1995.

Folded single sheet exh. cat. with color illus., opens to poster, folded: 6-1/2 x 6-1/2 in. open: 26 x 39 in.; outside panels sl. wear, else very good.

$25

Willem Sandberg. Three Stedelijk Museum Exhibition Catalogues, 1935-1941.

[Willem Sandberg]. Three Stedelijk Museum Exhibition Catalogues, 1935-1941.

1. Stedelijk Museum. Bouwkunst en verwante kunsten: tentoonstelling, georganiseerd door de Tentoonstellingsraad voor bouwkunst en verwante kunsten, ter gelegenheid van het 80-jarig jubileum van het genootschap Architectura et Amicitia, van 23 Nov. t/m. 15 Dec. 1935, in het Stedelijk Museum te Amsterdam. Amsterdam: Architectura et Amicitia, [1935].

First edition. 8vo, 63, [5] pp.; exhibition catalog of Dutch architecture and applied arts with graphics and typography by Willem Sandberg, illustrated throughout, with orig. illus. color wrpps., a bit rubbed with small closed split at front hinge.

Includes an introduction by architect M.J. Granpré Molière and checklist of the exhibition. A very rare catalogue with an exemplary abstract cover design by the legendary graphic designer, curator, director of the Stedelijk, and member of the Dutch Resistance, Willem Sandberg. OCLC locates only 2 holdings in North America, one in the US.

2. Stedelijk Museum and C.W.H. Baard. 40 jaar Stedelijk Museum te Amsterdam: Tentoonstelling van Hedendaagsche, Monumentale Kunst, 14 September – 13 October 1935. [Amsterdam]: [Stedelijk Museum], [1935].

First edition. 8vo, 51 pp.; exhibition catalogue with forward by Stedelijk director C.W.H. Baard and 24 b/w pls. reproducing works from the checklist, color wrpps. designed by Willem Sandberg, sl. darkened, small numbered tag on spine.

“Ontwerp Sandberg” printed in lowercase on rear wrapper. OCLC finds 7 copies in North America, only 2 outside museum libraries (Harvard and Toronto).

3. Stedelijk Museum and J Q van Regteren Altena, et al. In Holland staat een huis: het interieur van 1800 tot heden : tentoonstelling in het Stedelijk Museum Amsterdam, Juli-October 1941. Amsterdam: Satdsdrukkerij, [1941].

First edition. Oblong 8vo, 64 pp.; exhibition catalogue with short introduction the history of Dutch interior design followed by room-by-room descriptions with photographic illus. (arranged chronologically by alphabet from 1800-1940), in color wrpps. with folding floor-plan of exhibition in rear wrapper, typography and design by Willem Sandberg, some edge-wear. OCLC records 8 North American institutional holdings.

$175

Çayir Yapraklari (Leaves of Grass)

​Whitman, Walt. Trans. Suat Tașer. Çayir Yapraklari [Leaves of Grass]. Ankara: Buket Basimevi, 1961. Oblong 12mo unfolds to 6 x 23 cm; 19 pp. excerpted translations from Whitman’s Leaves of Grass, incl. 5 pp. intro. (in translation) by prominent American editor and socialist Max Eastman; color illus. wrpps. sl. soiled with small stain rear cover, pages separated from internal staple (wrappers still glued). The translator was an important Turkish poet and political activist.

Scarce, OCLC finds only 3 copies in North America.

$325

COLLECTION OF PROPAGANDA PHOTOGRAPHS OF THE SECCIÓN FEMENINA

40 silver gelatin prints: 36 approx. 5 x 7”, near fine, all stamped verso identifying two SS-PK photographers, [Bruno] Wisniewski and Ege, some with a “Sachregister” stamp and numbered pencil annotations verso; 3 smaller, approx. 3 x 4”, good; one 4 x 6” mounted to toned card, rubbed with a few scratches.

The Sección Femenina [SF] was officially recognized by General Franco following the end of the Spanish Civil War in 1939. Its mandate was to organize and educate women to be full participants in the reconstruction of the nation according to Falangist/fascist principles. To this end the SF had to reconcile politically conservative and religious (Catholic) doctrine with the modern social realities of the 1940s. It found itself in the awkward position of arguing strongly for the higher education of women and girls while rejecting “feminist intellectualism”. Similarly, it had to promote the ideal woman at home while providing a model for women whose membership in the workforce was an economic necessity.

The model of ideal femininity central to this mission had to be flexible enough to contain these contradictions. The photos in this collection exemplify this elastic image of womanhood, depicting SF leaders and members engaged in the wide variety of activities promoted by the organization. These include history and music classes, field hockey, cooking, sewing, childcare, and patriotic events. As a group they reflect the inherent ambivalence of the SF: an independent and powerful network of educated women that offered its members “an unusual level of public activism, both professionally and politically”, while preaching traditional ideology.

The Nazi Waffen-SS Propagandakopanien (SS-PK) was formed in 1938 to provide wartime propaganda to domestic German audiences. SS-PK photographers were embedded in armed divisions and diplomatic corps; these photos of the Sección Femenina were probably taken between October 1940 (when Hitler and Franco met in southern Spain) and late 1941, when relations between the two countries deteriorated as it became clear Spain would not officially enter the war. The names of the two photographers appear in other SS-PK records.

$2250

Sala Permanente de Artes Plásticas de Cuba

Habana: Instituto Nacional de Cultura, n.d. (ca. 1955). 4to, 16 pp.; chiefly illustrations, with text describing the national collection of modern Cuban art and its installation in the brand new Palace of Fine Arts, designed by architect Alfonso Rodríguez Pichardo in color illus. wrpps., fair: rubbed with creases and warping, some small losses and a damp-stain affecting several pages (but not the images). Includes list of painters, sculptors, and printmakers whose work was publicly exhibited in this first iteration of the museum.

Very scarce celebration of Cuban modern art museum. OCLC locates 3 copies in North America.

$325

Publicité Divers

Publicité Divers [title from spine]. [Bordeaux, France]: 1939.

4to (10 x 12.5 in.), [112] pp.; cloth, spine with gilt title and date.

Professional? scrapbook album with approximately 90 vintage examples of graphic design mounted on 39 leaves, including menus; packaging for luxury goods and comestibles; personal calling cards; advertisements for automobiles and auto parts, textile, and machine companies; coupon books and stamps; and events, most for companies and brands in Bordeaux, many in color, all exemplifying French Art Deco design’s integration of bold geometries, angular composition, and modern typography. A majority of the examples are numbered consecutively from 162-244 with a discreet stamp. Gilt letters “C-L” on spine—contents loosely alphabetical, by product, not proper name (e.g., café, charbon de bois, chocolat, fromage, lessive). Many folding examples, most very good, some with areas of discoloration or wrinkled from paste. Album date is handwritten on first leaf in pencil, though some of the advertisements refer specifically to 1938.

More photographs available on request.

$450